
Jan Uytenbogaert, “The Goldweigher”
<p>This print of the tax collector Jan Uytenbogaert marks one of Rembrandt van Rijn’s first uses of drypoint, not as a corrective tool but as a supplement to an etching. Here the technique accentuates the velvety quality of the sitter’s rich fur garment. Rembrandt presented the man as a noble and meticulous professional, while simultaneously hinting at his true nature: Uytenbogaert, seated in the midst of an office complete with a fine oil painting and a rich tablecloth, reaches out to the bag of gold presented to him, his hand grasping it in an almost lascivious manner.</p>
Catalogue
- Year
- 1639
- Dimensions
- Image: 23.7 × 20.3 cm (9 3/8 × 8 in.); Plate: 24.9 × 20.4 cm (9 13/16 × 8 1/16 in.); Sheet: 26 × 21.5 cm (10 1/4 × 8 1/2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Rembrandt van Rijn
Artist
More
More by Rembrandt van Rijn

Joseph's Coat Brought to Jacob
1763 · Etching in black on ivory wove paper

Final Published Work: Head of Menem Ben Israel
1740 · Charcoal, with stumping, heightened with traces of white chalk, on blue laid paper, laid down on cream laid paper

Rembrandt with a Plumed Hat
1700 · Black crayon, with stumping, with pen and black ink, on tan laid paper

Jan Antonides van der Linden
1665 · etching, drypoint and burin

Lucretia
1664 · oil on canvas

Portrait of Gerard de Lairesse
1663 · Oil on canvas
Record
Verified by Watts Index- Artist
- Rembrandt van Rijn
- Year
- 1639
- Dimensions
- Image: 23.7 × 20.3 cm (9 3/8 × 8 in.); Plate: 24.9 × 20.4 cm (9 13/16 × 8 1/16 in.); Sheet: 26 × 21.5 cm (10 1/4 × 8 1/2 in.)
- Watts ID
- WW-1639-043071
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified
