
The Continence of Scipio
<p>This painting depicts a scene from the life of Scipio Africanus, the Roman general who defeated Hannibal in the Battle of Zama (in present-day Tunisia) in 202 BCE. Here Scipio demonstrates his leadership by acting with restraint (“continence”) in refusing to hold a woman as a captive of war. According to the story on which the painting is based, the woman’s fiancé, shown kneeling beside her, was a powerful prince who agreed to a military alliance with Scipio in gratitude for his lenience. The theatrical setting and costumes—the invented military helmets, anachronistically dressed characters, fanciful architecture, and gravity-defying drapery, for example— suggest that the artist’s aims were allegorical rather than historical, intended above all to illustrate for viewers the virtues of compassionate diplomacy.</p>
Catalogue
- Year
- 1701
- Medium
- Oil on canvas
- Dimensions
- 140 × 182 cm (55 × 71 1/2 in.); Framed: 165.1 × 209.6 cm (65 × 82 1/2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Sebastiano Ricci
Artist

Painting
Sebastiano Ricci was an Italian Baroque painter of the late Baroque period in Venetian painting. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
Full artist profile →More
More by Sebastiano Ricci
The Exaltation of the True Cross
1733 · oil on canvas
A Miracle of Saint Francis of Paola
1733 · oil on canvas
Mercury, Herse and Aglauros
1727 · oil paint
The Angel Appearing to Hagar and Ishmael
1726 · pen
Adoration of the Magi
1726 · oil paint
Christ and the Woman Taken in Adultery
1725 · oil on canvas
Record
Verified by WattsOS- Artist
- Sebastiano Ricci
- Year
- 1701
- Medium
- Oil on canvas
- Dimensions
- 140 × 182 cm (55 × 71 1/2 in.); Framed: 165.1 × 209.6 cm (65 × 82 1/2 in.)
- Watts ID
- WW-1701-136760
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified




