
Panel (Furnishing Fabric)
<p>Copperplate printing reached England via Ireland and then found its way to France, where one of the country’s most important printing centers was established at Jouy-en-Josas by Christopher-Philippe Oberkampf in 1760. Jean-Baptiste Huet trained as a painter and was chief designer at the Jouy-en-Josas Manufactory for twenty-eight years. His chinoiserie scene presents a theme that fascinated Europeans, particularly during the eighteenth century. Entire rooms in palaces and hotels were decorated with furniture, porcelain, metal, lacquerwork, and fabrics, all conceived as whimsical, highly westernized versions of Far Eastern forms, designs, and motifs. Many a European garden encompassed a latticed teahouse or pagoda not unlike those pictured here. Panels such as this, with their large-scale repeats, would have been used on chairs and sofas, as well as to cover vast expanses of wall.</p>
Catalogue
- Year
- 1776
- Dimensions
- 274 × 99.1 cm (107 7/8 × 39 in.); Warp repeat: H.: 92.2 cm (36 1/4 in.)
- Collection
- Art Institute of Chicago
More
More by this artist
Panel (Furnishing Fabric)
1805 · Cotton, plain weave; copperplate printed
Medallions Antiques (Antique Medallions) (Furnishing Fabric)
1800 · Cotton, plain weave; copperplate printed
Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric)
1800 · Cotton, plain weave; copperplate printed
“Paul and Virginie” Furnishing Fabric
1800 · Cotton, plain weave; copperplate printed
The Flight into Egypt
1798 · etching on laid paper
Diane Chasseresse (Diana the Huntress) (Furnishing Fabric)
1797 · Cotton, plain weave; copperplate printed
Record
Verified by WattsOS- Year
- 1776
- Dimensions
- 274 × 99.1 cm (107 7/8 × 39 in.); Warp repeat: H.: 92.2 cm (36 1/4 in.)
- Watts ID
- WW-1776-115567
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





