
Milton Dictating to Ellwood the Quaker
William McCallin McKee Memorial and Elizabeth Gott Templeton Endowments
Catalogue
- Year
- 1804
- Dimensions
- Plate: 57.8 × 42.3 cm (22 13/16 × 16 11/16 in.); Sheet: 67.4 × 52.6 cm (26 9/16 × 20 3/4 in.)
- Collection
- Art Institute of Chicago
- Artist
- James Barry
Artist

Painting
James Barry was an Irish painter, best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London. Because of his determination to create art according to his own principles rather than those of his patrons, he is also noted for being one of the earliest romantic painters working in Britain, though as an artist few rated him highly until the fully comprehensive 1983 exhibition at the Tate Gallery led to a reassessment of this "notoriously belligerent personality", who emerged as one of the most important Irish artists. He was also notable as a profound influence on William Blake.
Full artist profile →More
More by James Barry
Divine Justice
1808 · Etching and engraving; final published state
The Angelic Guards
1808 · Etching and engraving; fourth state of four
Pandora
1804 · Engraving in black on ivory wove paper
Eastern Patriarch, from the first issue of Specimens of Polyautography
1803 · Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper
The Thames, or the Triumph of Navigation
1792 · Etching with engraving; second state of five
De bekroning van de winnaars te Olympia
1792 · etching on paper, ink
Record
Verified by WattsOS- Artist
- James Barry
- Year
- 1804
- Dimensions
- Plate: 57.8 × 42.3 cm (22 13/16 × 16 11/16 in.); Sheet: 67.4 × 52.6 cm (26 9/16 × 20 3/4 in.)
- Watts ID
- WW-1804-627981
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





