
Junction of the Severn and Wye, from Liber Studiorum, no. 28
<p>J. M. W. Turner’s paintings epitomized the sublime, a sense of awe-inspiring beauty beyond simple loveliness. His evocative etching and mezzotint print series, the <em>Liber Studiorum</em> (1807–19), was just as influential. Printed in sepia lines and tonal areas evoking Old Master drawing ink and modeling, Turner’s series of 71 prints is an extended ode to the landscape. The letters above each work designate the subject type, including architectural (A), pastoral (P) and elevated pastoral (EP), and historical (H), marine (M), and mountainous (M). Turner’s exhaustive categories inspired John Constable to produce a further-specialized mezzotint series of 22 English landscapes.</p>
Catalogue
- Year
- 1811
- Dimensions
- Plate: 20.8 × 28.8 cm (8 1/4 × 11 3/8 in.); Sheet: 29.3 × 44.3 cm (11 9/16 × 17 1/2 in.)
- Collection
- Art Institute of Chicago
Artist

Painting
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. His artistic style developed over his lifetime, moving away from Romanticism—bypassing the following rising style of Realism—and, instead, with his later works being a significant precursor of and presaging the later Impressionist and Abstract Art movements that arose in the decades after his death. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting. In 1969 art historian Kenneth Clark wrote of Turner: "He was a genius of the first order—far the greatest painter that England has ever produced..."
Full artist profile →More
More by Joseph Mallord William Turner
Scene at Lutworth
1870 · Watercolor and gouache with scraping, over graphite, on cream wove paper, laid down on board
Queen Mab's Cave
1846 · oil on fabric
Approach to Venice
1844 · oil on canvas
The Lake of Zug
1843 · Watercolor and bodycolor (gouache) with reductive techniques over graphite
View of Lucerne
1840 · Watercolor, with scraping on white wove paper
Flüelen, from the Lake of Lucerne
1840 · watercolor with gouache and scratch-away
Record
Verified by WattsOS- Year
- 1811
- Dimensions
- Plate: 20.8 × 28.8 cm (8 1/4 × 11 3/8 in.); Sheet: 29.3 × 44.3 cm (11 9/16 × 17 1/2 in.)
- Watts ID
- WW-1811-090225
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified



