
Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the "Thames Set")
<p>This etching is the framed print seen on the back wall of <em>Arrangement in Grey and Black No. 1</em>, though its identification would only have been possible for those intimately familiar with Whistler’s printed oeuvre. It is believed that Whistler did indeed have a framed impression of this work installed in his house in London on Lindsey Row, where his mother sat for him. It therefore serves as a reference to the space itself, the artist’s studio, as well as his early acclaim in the field of printmaking.</p>
Catalogue
- Year
- 1859
- Dimensions
- Plate: 15.1 × 22.7 cm (6 × 8 15/16 in.); Sheet: 21.6 × 33.3 cm (8 9/16 × 13 1/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- James McNeill Whistler
Artist

Painting
James Abbott McNeill Whistler was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
United Kingdom of Great Britain and Ireland
Full artist profile →More
More by James McNeill Whistler
Sheet of Stamps of Whistler's Mother
1934 · Uncut sheet of stamps in purple ink
The 26 Etchings (Second Venice set)
1924 · Bound volume of etchings and drypoints printed from original cancelled copper plates
A Doorway in Ajaccio
1901 · brush and gray wash on wove paper
Bohemians
1901 · Etching with foul biting in black ink on ivory laid paper
At Sea
1901 · pen and brown ink on wove paper
Flaming Forge
1901 · etching in dark brown on laid paper
Record
Verified by WattsOS- Artist
- James McNeill Whistler
- Year
- 1859
- Dimensions
- Plate: 15.1 × 22.7 cm (6 × 8 15/16 in.); Sheet: 21.6 × 33.3 cm (8 9/16 × 13 1/8 in.)
- Watts ID
- WW-1859-096824
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





