
Interrupted Reading
<p><em>Interrupted Reading</em> is among the most compelling of Camille Corot’s late figure paintings. Corot almost never exhibited these studies of the human form, preferring instead to publicize the idyllic landscapes that were his specialty. To emphasize the private nature of <em>Interrupted Reading</em>, Corot enclosed his model within the protective environment of the artist’s studio. The mood of the painting is introspective and somewhat melancholic, the very essence of the Romantic sensibility. The muse-like image of a woman reading a book was a popular one in nineteenth-century art, but Corot chose to show his model pausing, looking up from this activity. Having spent a number of years in Italy and being a lover of everything Italian, the artist often furnished his models with Italianate costumes such as the one worn here. Whereas Corot’s subject matter is traditional, his technique is not. With direct and bold brushwork, he explored the human form as a construction of masses that support and balance one another. This broad handling is complemented by the artist’s obvious delight in detail—the ribbon in the model’s hair, the delicate earrings, the deep folds in the skirt. Here he combined a profound sense of formal structure with the dreamy softness and intimacy that characterize his most famous landscapes.</p>
Catalogue
- Year
- 1865
- Dimensions
- 92.5 × 65.1 cm (36 5/16 × 25 5/8 in.); Framed: 130.9 × 104.2 × 14 cm (51 1/2 × 41 × 5 1/2 in.)
- Collection
- Art Institute of Chicago
Artist

Painting
Jean-Baptiste-Camille Corot, or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
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More by Jean-Baptiste Camille Corot
Portrait of Abbé Jouveau
1875 · Graphite, with traces of charcoal, on ivory wove paper
The Isolated Fort (Le Fort detache)
1874 · lithograph
Reading Beneath the Trees
1874 · Transfer lithograph printed in black on light gray China paper laid down on white wove paper
The Isolated Fort
1874 · Transfer lithograph printed in black on ivory China paper laid down on white wove paper
Saint Sebastian Succored by the Holy Women
1874 · oil on canvas
Reading Beneath the Trees (La Lecture sous les arbres)
1874 · lithograph on yellow paper
Record
Verified by WattsOS- Year
- 1865
- Dimensions
- 92.5 × 65.1 cm (36 5/16 × 25 5/8 in.); Framed: 130.9 × 104.2 × 14 cm (51 1/2 × 41 × 5 1/2 in.)
- Watts ID
- WW-1865-136707
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





