
Man Bicycling
<p>Physiologist Étienne-Jules Marey’s lifelong fascination with bodily movement led him to develop what he called “chronophotography”—meaning “photography of time”—a process that may have influenced the locomotion studies of Eadweard Muybridge, which are generally better known. To create his chronophotographs, Marey modified an ordinary camera by placing a rotating metal disk with multiple slots cut at regular intervals behind the lens and leaving the lens open. As the subject moved in front of a dark background, the disk acted as a shutter, exposing a sequence of images on a single photographic plate. As a member of the Académie Nationale de Médicine, Marey likely made this view of a bicyclist as part of a campaign to develop sports attire that would maximize comfort and minimize fatigue. Cubist, Futurist, and Dada artists all looked to Marey’s work as they attempted to picture the interdependence of space and time formulated by Albert Einstein.</p>
Catalogue
- Year
- 1890
- Dimensions
- 8.5 × 10 cm (3 3/8 × 3 15/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Étienne-Jules Marey
Artist

Photography
Etienne-Jules Marey
Full artist profile →More
More by Étienne-Jules Marey
Untitled
1893 · Gelatin silver print
Acrobat
1890 · Collodion lantern slide
Chronophotograph of a Man on a Bicycle
1885 · glass lantern slide
Analysis of the Flight of a Pigeon by the Chronophotographic Method
1883 · Two chronophotographic albumen silver prints
Man wandelt
1882 · paper, glass
Man gooit bal in de lucht
1882 · glass, paper
Record
Verified by WattsOS- Artist
- Étienne-Jules Marey
- Year
- 1890
- Dimensions
- 8.5 × 10 cm (3 3/8 × 3 15/16 in.)
- Watts ID
- WW-1890-027674
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





