Stéphane Mallarmé
<p>Introduced by Claude Monet, the poet Mallarmé and Whistler became friends in 1887 and remained close until Mallarmé’s death in 1898. Each man played a role in the other’s publishing projects; Mallarmé translated the “Ten O’Clock” lecture into French, and Whistler produced this lithographic portrait for Mallarmé’s 1893 book of poems, <em>Vers et prose</em>.</p>
Catalogue
- Year
- 1892
- Dimensions
- Image: 9.7 × 7 cm (3 7/8 × 2 13/16 in.); Primary support: 11.9 × 7.9 cm (4 11/16 × 3 1/8 in.); Secondary support: 31.8 × 24.7 cm (12 9/16 × 9 3/4 in.)
- Collection
- Art Institute of Chicago
- Artist
- James McNeill Whistler
Artist
Painting
James Abbott McNeill Whistler was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
United Kingdom of Great Britain and Ireland
Full artist profile →More
More by James McNeill Whistler
Sheet of Stamps of Whistler's Mother
1934 · Uncut sheet of stamps in purple ink
The 26 Etchings (Second Venice set)
1924 · Bound volume of etchings and drypoints printed from original cancelled copper plates
A Doorway in Ajaccio
1901 · brush and gray wash on wove paper
Bohemians
1901 · Etching with foul biting in black ink on ivory laid paper
At Sea
1901 · pen and brown ink on wove paper
Flaming Forge
1901 · etching in dark brown on laid paper
Record
Verified by WattsOS- Artist
- James McNeill Whistler
- Year
- 1892
- Dimensions
- Image: 9.7 × 7 cm (3 7/8 × 2 13/16 in.); Primary support: 11.9 × 7.9 cm (4 11/16 × 3 1/8 in.); Secondary support: 31.8 × 24.7 cm (12 9/16 × 9 3/4 in.)
- Watts ID
- WW-1892-015437
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified