
Panel
<p>Mariano Fortuny experimented with new methods of manufacture in order to emulate the look of Renaissance velvets. By juxtaposing his printed panel with a 15th-century woven design, the similarities in their undulating floral and pomegranate motifs become apparent. Fortuny’s metallic pigments, printed onto the rich burgundy surface of the velvet, compress the pile, creating the appearance of a cut and voided velvet. With his inventive methods, Fortuny sought to renew history and rewrite luxury for the modern consumer.</p>
Catalogue
- Year
- 1906
- Dimensions
- 174.1 × 59.8 cm (68 1/2 × 23 1/2 in.)
- Collection
- Art Institute of Chicago
Artist

Printmaking
Mariano Fortuny y Madrazo was a Spanish painter, printmaker, and designer whose work bridged late 19th-century academic tradition and modernist sensibility. Active across painting, etching, and decorative arts, he developed a distinctive approach to portraiture and historical subjects marked by precise draughtsmanship and a refined chromatic palette. His practice extended to textile design and theatrical set design, reflecting a comprehensive engagement with visual culture across media.
Full artist profile →More
More by Mariano Fortuny Y Madrazo
Glicine
1970 · Cotton, twill weave; printed
Carnavalet
1970 · Cotton, satin weave; printed
Ashanti
1970 · Cotton, satin weave; printed
Canova
1962 · Cotton, twill weave; printed
Solimena
1925 · Cotton, twill weave; printed
Alberelli
1925 · Cotton, twill weave; printed
Record
Verified by WattsOS- Year
- 1906
- Dimensions
- 174.1 × 59.8 cm (68 1/2 × 23 1/2 in.)
- Watts ID
- WW-1906-132013
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





