
Veranda Post (Òpó Ògògá)
<p>One of four posts sculpted for the palace of the king (<em>ogoga</em>) of Ikere, this evocative image of the Yoruba concept of a divine ruler is a masterwork of Olowe of Ise. The renowned artist’s dynamic style can be distinguished by the interrelationships between figures, their exaggerated proportions, and the use of open space. The sculptor’s diminutive portrayal of the king suggests his dependence on others, and his crown has been emphasized to evoke the spiritual power residing within it. The towering image of the king’s senior wife standing behind him underscores her superior status as a guardian of her husband’s interests, endowed with keen political understanding and supernatural knowledge. She would have placed the crown on the king’s head during his enthronement ceremony. The smaller figures at the king’s feet represent one of his junior wives and the flute-playing trickster god Eshu.</p>
Catalogue
- Year
- 1910
- Medium
- wood
- Dimensions
- 152.5 × 31.8 × 40.6 cm (60 × 12 1/2 × 16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Olowe of Ise
Artist

Mixed Media
Olowe of Ise is considered by Western art historians and collectors to be one of the most important 20th-century artists of the Yoruba people, an ethnic group in today's Nigeria. He was a wood sculptor and master innovator in the African style of design known as oju-ona.
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Record
Verified by Watts Index- Artist
- Olowe of Ise
- Year
- 1910
- Medium
- wood
- Dimensions
- 152.5 × 31.8 × 40.6 cm (60 × 12 1/2 × 16 in.)
- Watts ID
- WW-1910-015081
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified

