Turning Away (Abkehr) from the periodical Kündung, vol. 1, no. 3 (March 1921)

Franz Radziwill was a German painter and printmaker associated with the New Objectivity movement of the Weimar period. Working primarily in oil and woodcut, he developed a stark, linear style that depicted urban and industrial landscapes with a clinical precision and often unsettling mood. His work oscillated between representation and abstraction, employing distortion and symbolic imagery to capture the anxiety and alienation of interwar German society.