Court House Studies, Interior Perspective Study

Court House Studies, Interior Perspective Study

1926·Ink on paper, mounted on archival board·21.4 × 29.9 cm (8 7/16 × 11 13/16 in.)

<p>Ludwig Mies van der Rohe is widely recognized as one of the most influential figures in the development of modern architecture. Operating on the principle of “less is more,” he utilized materials such as industrial steel and plate glass in his strikingly minimal designs, which are notably free of decorative forms. As director of the German Bauhaus during the early 1930s, Mies formalized his notion of unifying form with function. In 1937 he immigrated to Chicago, where he became director of the School of Architecture at the Armour Institute of Technology (later the Illinois Institute of Technology). His legacy is still felt in the school program’s stress on the fundamentals, materials, and function of architectural design. This <em>Court House Study</em> depicts a vast, open interior in which two slender columns provide the only visible means of support. The wide-angle perspective emphasizes the building’s strong horizontal character. A nearly seamless wall of glass fills living areas with light and dissolves the boundary between interior and exterior.</p>

Catalogue

Year
1926
Dimensions
21.4 × 29.9 cm (8 7/16 × 11 13/16 in.)

Artist

Ludwig Mies van der Rohe
Ludwig Mies van der Rohe

Drawing

Ludwig Mies van der Rohe was a German-American architect and furniture designer whose stripped-down aesthetic defined modernism in the twentieth century. He pioneered the steel-frame glass building and the open-plan interior, reducing architectural form to its essential structural elements. His Barcelona Chair and Brno Chair became canonical pieces of twentieth-century design, their tubular steel frames and leather surfaces exemplifying his dictum 'less is more.' After emigrating to the United States in 1938, he directed the Illinois Institute of Technology and designed the Farnsworth House and the Seagram Building in New York. His influence on post-war architecture and industrial design remains foundational.

Aachen, Germany

Full artist profile →

More

More by Ludwig Mies van der Rohe

View all →
King Broadcasting Company Office Building Project, Seattle, WA, Site utlilization study, phase II.

King Broadcasting Company Office Building Project, Seattle, WA, Site utlilization study, phase II.

1969 · Photostat with pencil on acetate

WW-1969-M096418
King Broadcasting Company Office Building Project, Seattle, WA, Preliminary site development plan

King Broadcasting Company Office Building Project, Seattle, WA, Preliminary site development plan

1968 · Photostat with pencil on acetate

WW-1968-M096417
Martin Luther King Jr. Memorial Library, Washington, D.C., First floor plan

Martin Luther King Jr. Memorial Library, Washington, D.C., First floor plan

1965 · Pencil and ink on illustration board

WW-1965-M096416
Martin Luther King Jr. Memorial Library, Washington, D.C. (Second floor plan)

Martin Luther King Jr. Memorial Library, Washington, D.C. (Second floor plan)

1965 · Pencil and ink on illustration board

WW-1965-M118270
Martin Luther King Jr. Memorial Library, Washington, D.C., First floor plan

Martin Luther King Jr. Memorial Library, Washington, D.C., First floor plan

1965 · Pencil, colored pencil, and ink on acetate

WW-1965-M104737
Martin Luther King Jr. Memorial Library, Washington, D.C. (Third floor plan)

Martin Luther King Jr. Memorial Library, Washington, D.C. (Third floor plan)

1965 · Pencil and ink on illustration board

WW-1965-M118271

Record

Verified by WattsOS
Year
1926
Dimensions
21.4 × 29.9 cm (8 7/16 × 11 13/16 in.)
Watts ID
WW-1926-038698

Source

Source
aic
Status
verified

Artist

Ludwig Mies van der Rohe

Ludwig Mies van der Rohe

Drawing

View artist profile →