La Processione della Madonna di S. Luca a Bologna (Postcard)

Tato, born Guglielmo Sansoni, was an Italian painter and theorist central to the Futurist movement. Active from the 1920s onward, he developed a distinctive approach to abstraction rooted in dynamism and light, advocating for a visual language that rejected static representation in favor of kinetic energy and temporal simultaneity. His theoretical writings, particularly on the relationship between color and movement, shaped discourse within avant-garde circles. This profile will be expanded as more verified source material becomes available.