
Album of 25 Illustrated Educational Handbills
<p>The handbills in this album exemplify the Taller de Gráfica Popular’s attempts to achieve one of its primary goals: to speak directly to and for the Mexican people, in this case chiefly urban and rural workers. Published monthly by subscription, the handbills address themes of immediate interest and adapt the popular broadside format, developed in the 19th century, of combining informative text with compelling imagery. Some, like the two examples displayed here, underscore the importance of so-called “graphic propaganda” in promoting workers’ unity and in defending teachers against attacks by antirevolutionary forces. Others had specifically educational functions, such as demonstrating how to post handbills or instructing farmers how to negotiate crop prices.</p> <p><strong>Español:</strong><br>Los volantes de este álbum son un ejemplo de los esfuerzos del Taller de Gráfica Popular para lograr algunas de sus metas principales: hablarle directamente al pueblo mexicano, o bien hablar a nombre de él. En este caso se trata principalmente de llegar a los obreros urbanos y rurales. Publicados mensualmente y distribuidos por suscripción, los volantes abordaron temas de interés inmediato y tomaron el formato de las populares hojas volantes, desarrollado en el siglo XIX, donde se combina texto informativo con imágenes llamativas. Algunas, como las dos que se muestran aquí, subrayan la importancia de la llamada “propaganda gráfica” para promover la unidad obrera y defender a los maestros de los ataques de las fuerzas antirrevolucionarias. Otras tenían funciones específicamente educativas, por ejemplo indicaciones de cómo pegar las hojas ilustradas o información para los campesinos sobre cómo negociar los precios de sus cosechas.</p>
Catalogue
- Year
- 1938
- Dimensions
- 43.3 × 33.7 × 1 cm (17 1/16 × 13 5/16 × 7/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Leopoldo Méndez
Artist

Printmaking
Leopoldo Méndez was a Mexican printmaker whose lithographs and woodcuts became foundational to twentieth-century Latin American social realism. Working from the 1920s onward, he deployed bold graphic forms and stark tonal contrasts to chronicle labor struggles, indigenous life, and anti-imperialist resistance. His prints circulated among working-class and activist networks across Mexico and beyond, establishing printmaking as a vehicle for direct political intervention rather than institutional mediation. The formal clarity of his compositions, combined with their urgent social content, shaped successive generations of socially engaged artists in the Americas.
Full artist profile →More
More by Leopoldo Méndez
Posada in His Workshop (Homage to Posada)
1953 · Linocut in black on cream wove paper
Firing Squad
1950 · Linocut in black on cream wove paper
Torches, from Río Escondido
1948 · Linocut in black on cream wove paper
Torches from the portfolio Rio Escondido (Hidden River)
1948 · Wood engraving
Little Schoolteacher, How Immense is Thy Will, from Río Escondido
1948 · Linocut in black on cream wove paper
I Thirst, from Río Escondido
1948 · Linocut in black on cream wove paper
Record
Verified by WattsOS- Artist
- Leopoldo Méndez
- Year
- 1938
- Dimensions
- 43.3 × 33.7 × 1 cm (17 1/16 × 13 5/16 × 7/16 in.)
- Watts ID
- WW-1938-043661
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





