La Guignolée

Paul-Émile Borduas was a Canadian painter and theorist central to postwar abstraction in Quebec. Working primarily in oil and gouache, he developed a gestural, non-representational vocabulary rooted in automatism and spontaneous mark-making. His influential 1948 manifesto Refus global articulated a radical position against conservative cultural institutions, cementing his role as a catalyst for modernism in French Canada. His late works, created after emigrating to New York in 1953, became increasingly lyrical and atmospheric, with sweeping gestural fields that pushed toward pure abstraction.

Quebec, Canada