Yakshi

Mrinalini Mukherjee was an Indian sculptor known for her monumental abstract works in fiberglass, bronze, and stone. Working from the 1970s onward, she developed a distinctive formal language of curved, organic forms that eschewed figuration in favor of biomorphic abstraction. Her sculptures occupied a singular position in postwar Indian modernism, engaging with both Western abstraction and the spatial philosophies of her own cultural context. Mukherjee's practice emphasized the interplay between mass, void, and surface, creating works that demanded active bodily engagement from viewers navigating around and through them.

Mumbai, India