
<p>Since the early 1980s, Marlene Dumas has created paintings and drawings that raise provocative questions about gender, beauty, sexuality, race, and related conditions of oppression and violence. As a white woman who was raised under apartheid rule in South Africa, some of her strongest works tackle complicated themes of racial politics.</p><p>This representation of a black African albino suggests that race and color are social constructs that fail to correspond to identity. By choosing a subject whose very existence defies conventional racial categories, and by rendering his skin tone and hair color in a sickly green hue, Dumas pictorially destabilized the division between black and white.</p>
Catalogue
- Year
- 1986
- Medium
- Oil on canvas
- Dimensions
- 130 × 110 cm (51 1/8 × 43 1/4 in.)
- Collection
- Art Institute of Chicago
More
More by this artist
Art Is/Always/Having to Say/Goodbye (for Parkett, no. 100/101)
2017 · Multiple of ink on paper on board
Wall Wailing
2009 · Oil on canvas
Jen
2005 · Oil on canvas
After Photography
2003 · Brush and ink, acrylic and watercolor on ivory wove paper
After All (Is Said and Done)
2003 · Ink, synthetic polymer paint, and watercolor on paper
Magdalena
1996 · Ink on paper
Record
Verified by WattsOS- Year
- 1986
- Medium
- Oil on canvas
- Dimensions
- 130 × 110 cm (51 1/8 × 43 1/4 in.)
- Watts ID
- WW-1986-013392
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified
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