Boy caught in the fire can no longer feel the arrows and forgets about the shortcuts

José Leonilson was a Brazilian painter and draughtsman whose small-scale works on canvas and paper combined gestural abstraction with intimate, often autobiographical imagery. Working from the 1980s until his death in 1993, he developed a distinctive practice that moved between expressionistic mark-making and deeply personal symbolic vocabularies. His paintings frequently incorporated text, collage, and layered surfaces that invited close viewing. Leonilson's work emerged from and responded to the Brazilian postwar cultural landscape, situating abstract and personal expression within a distinctly local context.