Database / Artworks

Artworks

78,697 records by Agostino Ciampelli · Art Institute Chicago
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
PIOVENEFABI
Stained concrete ®Silipol · 2017
Art Institute of Chicago
No More No Less (Chicago) Model
No More No Less (Chicago) Model
Pezo von Ellrichshausen
MDF, paint, paper and wood · 2017
Art Institute of Chicago
Wiwa Stories (Historias Wiwa)
Wiwa Stories (Historias Wiwa)
Beatriz González
Color screenprint on white wove paper · 2017
Art Institute of Chicago
man standing juggling three balls by candlelight
man standing juggling three balls by candlelight
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
Size Matters! (De)Growth of the 21st Century Art Museum
Size Matters! (De)Growth of the 21st Century Art Museum
Irma Boom
Book · 2017
Art Institute of Chicago
Yellow Rose Dress Walking in Graveyard
Yellow Rose Dress Walking in Graveyard
Evelyn Taocheng Wang
Ink and acrylic on rice paper, mounted on rice paper; Agnès B dress · 2017
Art Institute of Chicago
man standing juggling three balls by first light of day
man standing juggling three balls by first light of day
Andrew Lord
ceramic, steel, epoxy, and gold leaf · 2017
Art Institute of Chicago
Finally
Finally
Jim Hodges
Color screen, intaglio, and inkjet print on hand-cut and folded white wove paper, laid down on screenprint on gray wove paper, with a hand-cut, folded, and assembled holographic foil element · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
Ben Patterson
24-channel sound field (24 camouflaged loudspeakers) · 2017
Art Institute of Chicago
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and gold plate · 2017
Art Institute of Chicago
Small Wonders
Small Wonders
Irma Boom
Book · 2017
Art Institute of Chicago
Mutilaties
Mutilaties
Irma Boom
Book · 2017
Art Institute of Chicago
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
Mounira Al Solh
Hand and machine stitched embroidery · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Manifold Defter [memo book]
Manifold Defter [memo book]
Esen Karol
Memo book · 2017
Art Institute of Chicago
Skirt Spring and Trapped inside a Carpet
Skirt Spring and Trapped inside a Carpet
Evelyn Taocheng Wang
Ink and watercolor on rice paper; agnès b. dress · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Julia Fish
Opaque watercolors, over touches of graphite, on white wove paper · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Go to pageof 3,280