Database / Artworks
Artworks
Drawing
Johann Melchior Füssli, Swiss
drawing — brush and gray wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Drawing
Johann Melchior Füssli, Swiss
drawing — brush and gray wash, pen and brown ink, red chalk on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for the First Plan of Solomon's Temple, Plate 420, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for God Appears to Moses and his Companions, Plate 171, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black, and blue wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for Abimelech Reproveth Sarah, Plate 81, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Temple in Jerusalem, Plate 424, Physica Sacra
Johann Melchior Füssli, Swiss
architecture, drawing — brush and gray wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for Serpents Sent to Destroy the Sinners, Plate 360, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Creation of Light, Plate 3, Physica Sacra
Johann Melchior Füssli, Swiss
landscapes, drawing — brush and grey, black wash, white goauche, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for Jacob Pours Oil upon the Stone at Bethel, Plate 87, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for Noah's Ark, Plate 40, Physica Sacra
Johann Melchior Füssli, Swiss
landscapes, drawing — brush and grey, black wash, pen and black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Making of Glass, The Treasure Hid in the Sand, Plate 363, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Fleece of Gideon, Plate 375, Physica Sacra
Johann Melchior Füssli, Swiss
figures, drawing — brush and grey, black wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Fifth Day's Work
Johann Melchior Füssli, Swiss
Brush and gray wash, pen and brown ink, black chalk on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Physica Sacra
Johann Melchior Füssli, Swiss
Brush and gray and yellow wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob Scheuchzer
Johann Melchior Füssli, Swiss
Brush and wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Iron Bedstead of King Og, Plate 324, Physica Sacra
Johann Melchior Füssli, Swiss
Brush and grey, black wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum