Database / Artworks

Artworks

78,697 records by Ed Hawkins · Art Institute Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Virginia Woolf on Riverside
Virginia Woolf on Riverside
Evelyn Taocheng Wang
Ink on rice paper mounted on rice paper; Agnès B white and black pattern dress · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
A Horrible Daily Mail News with Summer Dress
A Horrible Daily Mail News with Summer Dress
Evelyn Taocheng Wang
Ink and watercolor on paper; agnès b. dress · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Blush Lamp
Blush Lamp
Formafantasma
LED, dichroic glass and aluminum · 2017
Art Institute of Chicago
Before long travel, August 23, 1972
Before long travel, August 23, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
acrobat with Ursa Minor by first light of day
acrobat with Ursa Minor by first light of day
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
PIOVENEFABI
Stained concrete ®Silipol · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
Mounira Al Solh
Hand and machine stitched embroidery · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Green Hills of Earth (2)
Green Hills of Earth (2)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
New Realities: Photography in the 19th Century
New Realities: Photography in the 19th Century
Irma Boom
Book · 2017
Art Institute of Chicago
Strates IV
Strates IV
Simone Pheulpin
Cotton, plain weave; straight pins · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Daily #32
Daily #32
Thomas Demand
Dye imbibition print · 2017
Art Institute of Chicago
Manifold Defter [memo book]
Manifold Defter [memo book]
Esen Karol
Memo book · 2017
Art Institute of Chicago
Mutilaties
Mutilaties
Irma Boom
Book · 2017
Art Institute of Chicago
Dunham
Dunham
Simone Leigh
Terracotta, porcelain, raffia, steel, glass bead, epoxy, and India ink · 2017
Art Institute of Chicago
Size Matters! (De)Growth of the 21st Century Art Museum
Size Matters! (De)Growth of the 21st Century Art Museum
Irma Boom
Book · 2017
Art Institute of Chicago
Yellow Rose Dress Walking in Graveyard
Yellow Rose Dress Walking in Graveyard
Evelyn Taocheng Wang
Ink and acrylic on rice paper, mounted on rice paper; Agnès B dress · 2017
Art Institute of Chicago
Finally
Finally
Jim Hodges
Color screen, intaglio, and inkjet print on hand-cut and folded white wove paper, laid down on screenprint on gray wove paper, with a hand-cut, folded, and assembled holographic foil element · 2017
Art Institute of Chicago
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