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Artworks

368 records by Thomas Stothard
Specimens of Polyautography:  The Lost Apple
Specimens of Polyautography: The Lost Apple
Thomas Stothard
lithograph · 1803
Cleveland Museum of Art
An Illustration to Shakespeare’s ‘King John’: Constance and Arthur
An Illustration to Shakespeare’s ‘King John’: Constance and Arthur
Thomas Stothard
Ink, watercolour and gum arabic on paper · 1802
Tate
Intemperance: Mark Antony and Cleopatra
Intemperance: Mark Antony and Cleopatra
Thomas Stothard
Oil paint on canvas · 1802
Tate
Study for ‘Don Quixote’: Sancho’s Supper. Verso: Studies for the Fairy Queen
Study for ‘Don Quixote’: Sancho’s Supper. Verso: Studies for the Fairy Queen
Thomas Stothard
Ink and graphite on paper. Verso: ink on paper · 1801
Tate
An Illustration to ‘Sohrab’
An Illustration to ‘Sohrab’
Thomas Stothard
Ink, watercolour and gum arabic on paper · 1800
Tate
Frieze of Warriors
Frieze of Warriors
Thomas Stothard
Black chalk on off white laid paper, tipped on ivory wove paper · 1800
Art Institute of Chicago
Rochester Castle
Rochester Castle
Thomas Stothard
Graphite on paper · 1799
Tate
Roger de Coverley and the Gypsies [verso]
Roger de Coverley and the Gypsies [verso]
Thomas Stothard
pen and brown ink on wove paper · 1798
National Gallery of Art
Design for a Book Illustration of Circe and Odysseus [recto]
Design for a Book Illustration of Circe and Odysseus [recto]
Thomas Stothard
pen and gray and brown ink with gray wash over graphite on wove paper · 1798
National Gallery of Art
Design for Johnson’s ‘History of Rasselas’: Studies of Standing Figures and Similar Oriental Subjects. Verso: Sketches
Design for Johnson’s ‘History of Rasselas’: Studies of Standing Figures and Similar Oriental Subjects. Verso: Sketches
Thomas Stothard
Graphite and ink on paper. Verso: graphite and ink on paper · 1796
Tate
Sketches for Tristram Shandy (recto); Sketches of Medallion with Seated Allegorical Figure (verso)
Sketches for Tristram Shandy (recto); Sketches of Medallion with Seated Allegorical Figure (verso)
Thomas Stothard
Graphite (recto and verso) on ivory laid paper · 1796
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
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