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Artworks

86 records by Salvator Rosa
Figure with Staff Pointing
Figure with Staff Pointing
Salvator Rosa
Woodcut · 1635
Art Institute of Chicago
Two warriors, one seated asleep on a foreground rock, from Figurine series
Two warriors, one seated asleep on a foreground rock, from Figurine series
Salvator Rosa
Etching on ivory laid paper · 1635
Art Institute of Chicago
Landscape with a figure seated on a rock
Landscape with a figure seated on a rock
Salvator Rosa
Etching · 1635
The Metropolitan Museum of Art
Figures on a Winding Road
Figures on a Winding Road
Salvator Rosa
Pen and brown ink and brush and gray and brown wash, traces of framing lines in brown ink · 1635
Cleveland Museum of Art
Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso)
Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso)
Salvator Rosa
Pen and brown ink, with brush and brown wash (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Bergachtig landschap met twee piramides en een aantal figuren
Bergachtig landschap met twee piramides en een aantal figuren
Salvator Rosa
pen on ink, paper · 1625
Rijksmuseum
Soldier Seated
Soldier Seated
Salvator Rosa
etching · 1615
National Gallery of Art
Rocky Landscape with a Rustic House
Rocky Landscape with a Rustic House
Salvator Rosa
pen and brown ink · 1615
National Gallery of Art
The Dream of Aeneas
The Dream of Aeneas
Salvator Rosa
etching · 1615
National Gallery of Art
The Academy of Plato
The Academy of Plato
Salvator Rosa
etching · 1615
National Gallery of Art
The Genius of Salvator Rosa
The Genius of Salvator Rosa
Salvator Rosa
etching · 1615
National Gallery of Art
Diogenes Casting Away His Bowl
Diogenes Casting Away His Bowl
Salvator Rosa
etching · 1615
National Gallery of Art
Untitled (Caricature)
Untitled (Caricature)
Salvator Rosa
Red chalk on ivory laid paper · 1600
Art Institute of Chicago
The Crucifixion of Polycrates
The Crucifixion of Polycrates
Salvator Rosa
Etching, with drypoint, in black on ivory laid paper · 1557
Art Institute of Chicago
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