Database / Artworks

Artworks

109 records by Pierre-Auguste Renoir
The Apple Seller
The Apple Seller
Pierre-Auguste Renoir
oil on fabric · 1885
The Auvers Valley on the Oise River
The Auvers Valley on the Oise River
Pierre-Auguste Renoir
Gouache and watercolor, with touches of scraping, on ivory wove paper · 1884
Art Institute of Chicago
Splashing Figure (Study for "The Large Bathers")
Splashing Figure (Study for "The Large Bathers")
Pierre-Auguste Renoir
Red, white, and black chalk, with stumping, and black Conté crayon on tan wove (tracing) paper, laid down on canvas · 1884
Art Institute of Chicago
Studies of Trees and Foliage
Studies of Trees and Foliage
Pierre-Auguste Renoir
Pen and black ink with opaque and transparent watercolor on ivory wove paper · 1884
Art Institute of Chicago
Lucie Berard (Child in White)
Lucie Berard (Child in White)
Pierre-Auguste Renoir
Oil on canvas · 1883
Art Institute of Chicago
Madame Léon Clapisson
Madame Léon Clapisson
Pierre-Auguste Renoir
Oil on canvas · 1883
Art Institute of Chicago
On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)
On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)
Pierre-Auguste Renoir
Black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream) · 1883
Art Institute of Chicago
By the Seashore
By the Seashore
Pierre-Auguste Renoir
Oil on canvas · 1883
The Metropolitan Museum of Art
Chrysanthemums
Chrysanthemums
Pierre-Auguste Renoir
Oil on canvas · 1881
Art Institute of Chicago
Fruits of the Midi
Fruits of the Midi
Pierre-Auguste Renoir
Oil on canvas · 1881
Art Institute of Chicago
Two Sisters (On the Terrace)
Two Sisters (On the Terrace)
Pierre-Auguste Renoir
Oil on canvas · 1881
Art Institute of Chicago
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)
Pierre-Auguste Renoir
Black chalk (recto and verso) on ivory laid paper (discolored to tan) · 1881
Art Institute of Chicago
Chrysanthemums
Chrysanthemums
Pierre-Auguste Renoir
Oil on canvas · 1881
Art Institute of Chicago
Laundress and Her Child (Aline and Pierre)
Laundress and Her Child (Aline and Pierre)
Pierre-Auguste Renoir
pastel on brown paper · 1881
Cleveland Museum of Art
Two Sisters (On the Terrace)
Two Sisters (On the Terrace)
Pierre-Auguste Renoir
Oil on canvas · 1881
Art Institute of Chicago
Laundress and Her Child (Aline and Pierre)
Laundress and Her Child (Aline and Pierre)
Pierre-Auguste Renoir
pastel on brown paper · 1881
Seascape
Seascape
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Young Woman Sewing
Young Woman Sewing
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Near the Lake
Near the Lake
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Seascape
Seascape
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Near the Lake
Near the Lake
Pierre-Auguste Renoir
Oil on canvas · 1879
Art Institute of Chicago
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Pierre-Auguste Renoir
Oil on canvas · 1878
The Metropolitan Museum of Art
Go to pageof 5