Database / Artworks
Artworks
View of Nuremberg, to the east, center plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Close Helmet for the Tourney
Daniel
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Victory Surrounded by Prisoners and Trophies
Frans Floris, I
Etching · 1552
The Metropolitan Museum of Art
Costume Plate: Hispana Rustica (with label on rock)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Bearded Man from Spain
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Allegory of the Battle at Selimbar (October 28, 1599)
Hans von Aachen
Pen and brown ink, brown and and red wash, over a sketch in red chalk · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, left plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Giovanni Battista Naldini
Pen and brown ink, over leadpoint · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, right plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Tobias and the Angel
Hans von Aachen
Black chalk, pen and brown ink, brown wash · 1552
The Metropolitan Museum of Art
Close Helmet for the Tourney
Daniel Hopfer, I
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Leone Leoni
Bronze, cast · 1551
The Metropolitan Museum of Art
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Jacopo da Empoli
Pen and dark brown ink, over black chalk; squared in red chalk · 1551
The Metropolitan Museum of Art
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching and engraving · 1551
The Metropolitan Museum of Art
Medal: Ippolita Gonzaga
Leone Leoni
Bronze (Copper alloy with worn, dark brown patina) · 1551
The Metropolitan Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
Pope Julius III (r. 1550–55)
Gian Federigo Bonzagna
Bronze · 1550
The Metropolitan Museum of Art
The Temptation of Saint Anthony
Herri Met de Bles
Oil on wood · 1550
The Metropolitan Museum of Art
Emperor Charles V (1500–1558) and his Son Philip II of Spain (1527–1598)
Leone Leoni
Sardonyx · 1550
The Metropolitan Museum of Art
Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
Pen and brown ink, brown wash, over traces of red and black chalk · 1550
The Metropolitan Museum of Art
Triumph of Christian Faith
Jost Amman
Etching printed from two plates on two sheets · 1550
The Metropolitan Museum of Art
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art
Venus and Adonis
Titian
Oil on canvas · 1550
The Metropolitan Museum of Art
Ornamental Design with a Bat in the Center
Heinrich Aldegrever
Engraving · 1550
The Metropolitan Museum of Art