Database / Artworks
Artworks
The Title Page for 'Douze Eaux Fortes d'après Nature'
James McNeill Whistler
Etching with foul biting in black ink on blue wove paper · 1858
Art Institute of Chicago
La Marchande de Moutarde
James McNeill Whistler
Etching with foul biting in black ink on cream laid paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in dark brown ink on off-white laid paper · 1858
Art Institute of Chicago
The Kitchen
James McNeill Whistler
Etching in black ink with foul biting on off-white China paper laid down on ivory wove paper (chine collé) · 1858
Art Institute of Chicago
The Title Page for 'Douze Eaux Fortes d'après Nature'
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
La Mère Gérard
James McNeill Whistler
Etching in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
En Plein Soleil
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
Liverdun
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on light blue wove paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
The Kitchen
James McNeill Whistler
Etching with drypoint cancellation, in black ink on ivory laid paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on tan Japanese paper · 1858
Art Institute of Chicago
The Title Page for "Douze Eaux Fortes d'après Nature"
James McNeill Whistler
Etching with foul biting in black ink on tan China paper laid down on ivory wove paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on ivory Japanese paper · 1858
Art Institute of Chicago
Liverdun
James McNeill Whistler
Etching, printed in black ink on tan chine on off-white wove paper (chine collé); third state of three (Glasgow) · 1858
The Metropolitan Museum of Art
The Unsafe Tenement
James McNeill Whistler
Etching, printed in black ink on tan (darkened) chine on white wove paper (chine collé); third state of four (Glasgow) · 1858
The Metropolitan Museum of Art
La Mère Gérard
James McNeill Whistler
Etching on tan chine on off-white wove paper (chine collé); fourth state of four (Glasgow) · 1858
The Metropolitan Museum of Art
La Vieille aux Loques
James McNeill Whistler
Etching and drypoint; fourth state of four (Glasgow); late impression printed in black ink on cream wove paper · 1858
The Metropolitan Museum of Art
The Kitchen
James McNeill Whistler
Etching, printed in dark brown ink on buff chine on off-white wove paper (chine collé); second state of three (Glasgow) · 1858
The Metropolitan Museum of Art
Reading in Bed
James McNeill Whistler
Etching and drypoint, printed in black ink on fine laid paper; second state of two (Glasgow) · 1858
The Metropolitan Museum of Art
Street at Saverne
James McNeill Whistler
Etching and open bite or sandpaper ground; fourth state of four (Glasgow); printed in black ink on buff colored Japan paper · 1858
The Metropolitan Museum of Art
The Old Rag Woman, No. 10
James McNeill Whistler
etching with chine collé · 1858
Cleveland Museum of Art
De muziekkamer
James McNeill Whistler
etching on paper · 1858
Rijksmuseum
Little Arthur
James McNeill Whistler
etching on wove paper · 1857
National Gallery of Art