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Artworks

269 records by Thomas Rowlandson
The Consultation or Last Hope
The Consultation or Last Hope
Thomas Rowlandson
Hand-colored etching on ivory wove paper · 1808
Art Institute of Chicago
Accommodation, or Lodgings to Let Portsmouth
Accommodation, or Lodgings to Let Portsmouth
Thomas Rowlandson
Etching in black, with hand-colored additions, on cream wove paper · 1808
Art Institute of Chicago
The Sweet Little Girl That I Love
The Sweet Little Girl That I Love
Thomas Rowlandson
Hand-colored etching on ivory wove paper · 1808
Art Institute of Chicago
Doctor Syntax Meditating on the Tomb Stones, from The Tour of Doctor Syntax
Doctor Syntax Meditating on the Tomb Stones, from The Tour of Doctor Syntax
Thomas Rowlandson
Hand-colored etching and acquaint on ivory wove paper · 1808
Art Institute of Chicago
Doctor Syntax Returned from His Tour, from The Tour of Doctor Syntax
Doctor Syntax Returned from His Tour, from The Tour of Doctor Syntax
Thomas Rowlandson
Hand-colored etching and acquaint on ivory wove paper · 1808
Art Institute of Chicago
Miseries of London
Miseries of London
Thomas Rowlandson
hand-colored etching · 1807
National Gallery of Art
Study for Royal Chapel, Whitehall, from Microcosm of London
Study for Royal Chapel, Whitehall, from Microcosm of London
Thomas Rowlandson
Pen and ink and watercolor on paper · 1807
Art Institute of Chicago
I Smell a Rat or a Rogue in Grain
I Smell a Rat or a Rogue in Grain
Thomas Rowlandson
Hand-colored etching on ivory wove paper · 1807
Art Institute of Chicago
Enraged Vicar, from Miseries of Human Life
Enraged Vicar, from Miseries of Human Life
Thomas Rowlandson
Hand-colored etching on ivory wove paper · 1807
Art Institute of Chicago
Butterfly Hunting
Butterfly Hunting
Thomas Rowlandson
hand-colored etching · 1806
National Gallery of Art
A Funeral Procession
A Funeral Procession
Thomas Rowlandson
pen and brown and gray ink with watercolor over graphite on wove paper · 1805
National Gallery of Art
Preparation for the Academy—Old Joseph Nollekens and his Venus
Preparation for the Academy—Old Joseph Nollekens and his Venus
Thomas Rowlandson
Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, laid down on board · 1805
Art Institute of Chicago
The Pillar of Salt
The Pillar of Salt
Thomas Rowlandson
Hand-colored etching on ivory wove paper · 1805
Art Institute of Chicago
One Tree Hill, Greenwich Park
One Tree Hill, Greenwich Park
Thomas Rowlandson
hand-colored etching · 1802
National Gallery of Art
The Lawyers Last Circuit
The Lawyers Last Circuit
Thomas Rowlandson
hand-colored etching and aquatint · 1802
National Gallery of Art
Study for Dr. Syntax made Free of the Cellar
Study for Dr. Syntax made Free of the Cellar
Thomas Rowlandson
Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper · 1802
Art Institute of Chicago
Study for Dr. Syntax and Rural Sports
Study for Dr. Syntax and Rural Sports
Thomas Rowlandson
Pen and brown ink with brush and watercolor, on ivory wove paper · 1802
Art Institute of Chicago
A Money Scrivener
A Money Scrivener
Thomas Rowlandson
hand-colored etching · 1801
National Gallery of Art
Odd-Characters
Odd-Characters
Thomas Rowlandson
hand-colored etching · 1801
National Gallery of Art
Downfall of Monopoly in 1800
Downfall of Monopoly in 1800
Thomas Rowlandson
hand-colored etching · 1800
National Gallery of Art
Dr. Botherum, the Mountebank
Dr. Botherum, the Mountebank
Thomas Rowlandson
hand-colored etching · 1800
National Gallery of Art
Hocus Pocus, or Searching for the Philosopher's Stone
Hocus Pocus, or Searching for the Philosopher's Stone
Thomas Rowlandson
etching, aquatint, and stipple with hand coloring on wove paper · 1800
National Gallery of Art
Two Strings to Your Bow
Two Strings to Your Bow
Thomas Rowlandson
hand-colored etching · 1800
National Gallery of Art
Village Fair: Harlequin and Quack
Village Fair: Harlequin and Quack
Thomas Rowlandson
Watercolor on cream wove paper · 1800
Art Institute of Chicago
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