Database / Artworks
Artworks
Sinmi Stool (Prototype)
Norman Teague
Bent wood, Baltic plywood, and rubber · 2015
Art Institute of Chicago
Hlamkile Mlambo of Ukuphumula kwe New Stone from the series Umlindelo wamaKholwa
Sabelo Mlangeni
Gelatin silver print · 2015
Art Institute of Chicago
HSD Nkonyane, Inyoni, Spirit Church from the series Umlindelo wamaKholwa
Sabelo Mlangeni
Gelatin silver print · 2015
Art Institute of Chicago
Bottom Ash Observatory
Christien Meindertsma
Book · 2015
Art Institute of Chicago
Making Design: Cooper Hewitt, Smithsonian Design Museum Collections
Irma Boom
Book · 2015
Art Institute of Chicago
Yearning, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor on wove graph paper · 2015
Art Institute of Chicago
Metamorphoses of Science Fiction, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks on wove graph paper · 2015
Art Institute of Chicago
Luz en lo Oscuro, from Human_3.0 Reading List
Cauleen Smith
Brush and black and colored inks with touches of brush and silver ink on wove graph paper · 2015
Art Institute of Chicago
Sexual Difference, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks with touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago
Gender Trouble, from Human_3.0 Reading List
Cauleen Smith
Graphite with red watercolor and blue watercolor with glitter glue on wove graph paper · 2015
Art Institute of Chicago
Sinmi Stool, Design Sketch
Norman Teague
Pen and black ink on paper · 2015
Art Institute of Chicago
Phil Chang Reading 5.632: The Subject Does Not belong to the World: Rather, It Is a Limit of the World
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Eileen Quinlan Reading 5.61: Logic Pervades the World: the Limits of the World Are Also Its Limits. So We Cannot Say in Logic, 'The World Has This in It, and This, but Not That.' For That Would Appear to Presuppose That We Were Excluding Certain Possibilities, and This Cannot Be the Case, Since It Would Require That Logic Should Go Beyond the Limits of the World; for Only in That Way Could It View Those Limits From the Other Side As Well. We Cannot Think What We Cannot Think; So What Cannot Think We Cannot Say Either
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Adam Putnam Reading 2.014: Objects Contain the Possibility of All Situations
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Blacks, from Human_3.0 Reading List
Cauleen Smith
Graphite, with brush and orange, yellow and silver inks, on wove graph pape · 2015
Art Institute of Chicago
The Art of Typewriting
Graphic Thought Facility
Book · 2015
Art Institute of Chicago
Freedom is a Constant Struggle, from Human_3.0 Reading List
Cauleen Smith
Brush and black and colored inks and graphite with touches of watercolor on wove graph paper · 2015
Art Institute of Chicago
La Tallera Siqueiros, Cuernavaca, Mexico
Rafael Gamo
Digital photograph · 2015
Art Institute of Chicago
The New Jim Crow, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and black and colored inks with touches of brush and silver ink on wove graph paper · 2015
Art Institute of Chicago
Susanne Kriemann Reading 5.5423: To Perceive a Complex Means to Perceive That Its Constituents Are Related to One Another in Such and Such Way. This No Doubt Also Explains Why There Are Two Possible Ways of Seeing the Figure as a Cube; and All Similar Phenomena. For We Really See Two Different Facts. (If I Look in the First Place at the Corners Marked A and Only Glance at the B's, Then the A's Appear to be in Front, and Vice Versa)
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
This Bridge Called My Back, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks with watercolor and traces of glitter glue on wove graph paper · 2015
Art Institute of Chicago
Noritoshi Hirakawa Reading 6.373: The World Is Independent of My Will
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
The Undercommons, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor on wove graph paper · 2015
Art Institute of Chicago
Playing in the Dark, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks with touches of watercolor and traces of glitter glue on wove graph paper · 2015
Art Institute of Chicago