Database / Artworks
Artworks

A Mortal Man
Wardell Milan
Inkjet print, applied charcoal, graphite, gesso, etching ink, and cut-and-pasted paper · 2018
Art Institute of Chicago

Seabirds, Cape Point, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

The end of Tweety, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Capilla del Retiro (Auco, Chile), Undurraga Devés Arquitectos
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

B for Bone
Kemang Wa Lehulere
Reconfigured wood from salvaged school desks, porcelain dog, glass bottles with cork tops, sand, paper, ribbon, bone and resin hand · 2018
Art Institute of Chicago

Ambiguous Standards of Food: Eggs and Holders
Ambiguous Standards Institute
Beech wood, stryofoam, metalspun eggholders, and various eggs · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Drinking Bowl (Mucawa)
Deysi Chango Salazar
Ceramic, pigment, and shinquillu lacquer, possibly from the Brazilian Elemi (Protium heptophyllum) · 2018
Art Institute of Chicago

I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago

The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago

Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago

Virginia Woolf on Riverside
Evelyn Taocheng Wang
Ink on rice paper mounted on rice paper; Agnès B white and black pattern dress · 2017
Art Institute of Chicago

Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago

Before long travel, August 23, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago

Daily #32
Thomas Demand
Dye imbibition print · 2017
Art Institute of Chicago

Pembury Estate
Stan Douglas
Digital chromogenic print mounted on Dibond aluminum · 2017
Art Institute of Chicago