Database / Artworks

Artworks

78,697 records by Pierre Brebiette · Art Institute Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Green Hills of Earth (2)
Green Hills of Earth (2)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
Strates IV
Strates IV
Simone Pheulpin
Cotton, plain weave; straight pins · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
Manifold Defter [memo book]
Manifold Defter [memo book]
Esen Karol
Memo book · 2017
Art Institute of Chicago
Baigneurs Sans Rien
Baigneurs Sans Rien
Paul Chan
Nylon, fans, fabric floor piece · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Black Spot
Black Spot
Norm Sartorius
Black and white ebony · 2017
Art Institute of Chicago
Virginia Woolf on Riverside
Virginia Woolf on Riverside
Evelyn Taocheng Wang
Ink on rice paper mounted on rice paper; Agnès B white and black pattern dress · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
acrobat with Ursa Minor by first light of day
acrobat with Ursa Minor by first light of day
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
Lake Chivero, August 31, 1972
Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
Blush Lamp
Blush Lamp
Formafantasma
LED, dichroic glass and aluminum · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Skirt Spring and Trapped inside a Carpet
Skirt Spring and Trapped inside a Carpet
Evelyn Taocheng Wang
Ink and watercolor on rice paper; agnès b. dress · 2017
Art Institute of Chicago
New Realities: Photography in the 19th Century
New Realities: Photography in the 19th Century
Irma Boom
Book · 2017
Art Institute of Chicago
Forge Chair (Square Chair #2) 298
Forge Chair (Square Chair #2) 298
Max Lamb
AISI 1045 carbon steel · 2017
Art Institute of Chicago
Untitled (Man)
Untitled (Man)
Kerry James Marshall
Woodcut in brown and black on white wove paper · 2017
Art Institute of Chicago
Before long travel, August 23, 1972
Before long travel, August 23, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
Mutilaties
Mutilaties
Irma Boom
Book · 2017
Art Institute of Chicago
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Julia Fish
Opaque watercolors, over touches of graphite, on white wove paper · 2017
Art Institute of Chicago
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