Database / Artworks
Artworks
Outside the Factories from In the Shadows (Im Schatten)
George Grosz
One from a portfolio of ten offset lithographs (including title page) · 1920
Museum of Modern Art
Pay Day from In the Shadows (Im Schatten)
George Grosz
One from a portfolio of ten offset lithographs (including title page) · 1920
Museum of Modern Art
War Invalid and Workers from In the Shadows (Im Schatten)
George Grosz
One from a portfolio of ten offset lithographs (including title page) · 1920
Museum of Modern Art
Title page from In the Shadows (Im Schatten)
George Grosz
One from a portfolio of ten offset lithographs (including title page) · 1920
Museum of Modern Art
Ants from In the Shadows (Im Schatten)
George Grosz
One from a portfolio of ten offset lithographs (including title page) · 1920
Museum of Modern Art
Table of contents from the portfolio Got mit uns (God with Us)
George Grosz
Letterpress and line block · 1920
Museum of Modern Art
Death on the Street (Tod auf der Strasse) from the deluxe periodical in portfolio form Die Schaffenden, vol. 4, no. 4
George Grosz
Lithograph · 1920
Museum of Modern Art
In the Shadows (Im Schatten)
George Grosz
Portfolio of ten offset lithographs (including title page) · 1920
Museum of Modern Art
"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)
George Grosz
Watercolor, ink, pencil, and cut-and-pasted printed paper on paper · 1920
Museum of Modern Art
Republican Automatons (Republikanische Automaten)
George Grosz
Watercolor and pencil on paper · 1920
Museum of Modern Art
Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso)
George Grosz
Ink on paper (recto and verso) · 1920
Museum of Modern Art
He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
George Grosz
Lithograph from an illustrated book with fifteen lithographs, eight woodcuts, eight reproductions and one lithographed cover · 1920
Museum of Modern Art
Cafe Neptune
George Grosz
Watercolor and pen and brush and black ink, with touches of graphite, on cream wove paper · 1919
Art Institute of Chicago
The Pimps of Death
George Grosz
Lithograph in black on ivory laid paper · 1919
Art Institute of Chicago
Cover from the portfolio God with Us (Gott mit uns)
George Grosz
Letterpress and line block · 1919
Museum of Modern Art
Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)
George Grosz
Offset lithograph · 1919
Museum of Modern Art
The End of the Day
George Grosz
Ink on paper · 1919
Museum of Modern Art
Beauty Contest in the Motzstrasse
George Grosz
Lithograph in black on cream wove paper · 1918
Art Institute of Chicago