Database / Artworks
Artworks
Closed Eyes (Yeux clos)
Odilon Redon
Lithograph with chine appliqué · 1890
Museum of Modern Art
Serpent-Halo (Serpent-Auréole)
Odilon Redon
Lithograph with chine appliqué · 1890
Museum of Modern Art
Germination
Odilon Redon
Pastel, chalk, and pencil on colored paper · 1890
Museum of Modern Art
Portrait of a Youth from Left
Odilon Redon
Pastel with colored chalk on colored paper · 1890
Museum of Modern Art
The Closed Eyes
Odilon Redon
Conté crayon and lithographic tusche on transfer paper · 1890
Museum of Modern Art
The Giant
Odilon Redon
Oil on prepared paper · 1890
Museum of Modern Art
The Black Torches (Les Flambeaux noirs)
Odilon Redon
Illustrated book with one lithograph with chine appliqué · 1890
Museum of Modern Art
Bouquet in a Chinese Vase
Odilon Redon
Oil on canvas · 1890
The Metropolitan Museum of Art
Le Sphynx...mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere: Moi,Je suis legere et joyeuse (The Sphinx: "My gaze, which nothing can deflect, passes through the things and remains fixed on an inaccessible horizon." The Chimera: "I am weightless and joyful")
Odilon Redon
lithograph · 1889
National Gallery of Art
Les Sciapodes: La tete le plus bas possible, c'est le secret du bonheur! (The Skiapods: "The head as low as possible, that is the secret of happiness!")
Odilon Redon
lithograph · 1889
National Gallery of Art
Une longue chrysalide couleur de sang (A longchrysalis, the color of blood)
Odilon Redon
lithograph · 1889
National Gallery of Art
La Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!)
Odilon Redon
lithograph · 1889
National Gallery of Art
Saint-Antoine: Il doit y avoir quelque part des figures primordiales dont les corps ne sont que les images (Saint Anthony: "Somewhere there must be primordial shapes whose bodiesare only images")
Odilon Redon
lithograph · 1889
National Gallery of Art
Saint-Antoine...A travers ses longs cheveux qui lui couvraient la figure, j'ai cru reconnaitre Ammonaria (Saint Anthony: "Beneathe her long hair , which covered her face, I thought I recognized Ammonaria)
Odilon Redon
lithograph · 1889
National Gallery of Art
Frontispiece
Odilon Redon
lithograph · 1889
National Gallery of Art
Frontispiece to A Gustave Flaubert (To Gustave Flaubert)
Odilon Redon
Lithograph in black on cream China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Captive Pegasus
Odilon Redon
Transfer lithograph on mounted ivory China paper · 1889
Art Institute of Chicago
Frontispiece to A Gustave Flaubert (To Gustave Flaubert)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece to A Gustave Flaubert (To Gustave Flaubert)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece for Les Chimères by Jules Destrée
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece for Iwan Gilkin's Damnation de l'artiste
Odilon Redon
Lithograph in black on pinkish-cream China paper laid down on white wove paper · 1889
Art Institute of Chicago
Frontispiece for El Moghreb al Aksa by Edmond Picard
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Captive Pegasus
Odilon Redon
Lithograph in black on cream China paper laid down on cream wove paper · 1889
Art Institute of Chicago
Frontispiece for Iwan Gilkin's Damnation de l'artiste
Odilon Redon
Lithograph in black on ivory wove paper · 1889
Art Institute of Chicago