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Artworks
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on ivory laid paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on cream wove paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on cream wove paper · 1889
Art Institute of Chicago
The Skiapods: "The head as low as possible, that is the secret of happiness!", plate 6 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Saint Anthony: "Somewhere there must be primordial shapes whose bodies are only images, plate 4 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
St. Anthony: "Somewhere There Must Be Primordial Shapes Whose Bodies Are Only Images", plate 4 of 6
Odilon Redon
Lithograph in black on cream China paper laid down on cream wove paper · 1889
Art Institute of Chicago
The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Death: "My irony surpasses all others!", plate 3 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
A Long Chrysalis, the Color of Blood, plate 2 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
A Long Chrysalis, the Color of Blood, plate 2 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece from The Chimeras (Les Chimères)
Odilon Redon
Lithograph · 1889
Museum of Modern Art
Frontispiece from El Moghreb-al-Aksa
Odilon Redon
Lithograph with chine appliqué · 1889
Museum of Modern Art
Captive Pegasus (Pégase captif)
Odilon Redon
Lithograph with chine appliqué · 1889
Museum of Modern Art
. . . A Long Chrysalis, the Color of Blood (. . . une longue chrysalide couleur de sang)
Odilon Redon
Lithograph with chine appliqué · 1889
Museum of Modern Art
Les Chimères
Odilon Redon
Illustrated book with one lithograph with chine appliqué · 1889
Museum of Modern Art
La Damnation de l'artiste
Odilon Redon
Illustrated book with one lithograph with chine appliqué · 1889
Museum of Modern Art
El Moghreb-al-Aksa
Odilon Redon
Illustrated book with one lithograph on chine appliqué · 1889
Museum of Modern Art
Les Débâcles
Odilon Redon
Illustrated book with one lithograph with chine appliqué · 1889
Museum of Modern Art
C'est le Diable
Odilon Redon
lithograph on chine collé · 1888
National Gallery of Art
Des Esseintes
Odilon Redon
Lithograph on chine laid down on cream wove paper · 1888
Art Institute of Chicago
Des Esseintes, Frontispiece for A Rebours by J.K. Huysmans
Odilon Redon
Lithograph in black on light gray China paper laid down on white wove paper · 1888
Art Institute of Chicago