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Artworks

825 records by Odilon Redon
And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10
And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10
Odilon Redon
Lithograph in black on ivory wove paper · 1888
Art Institute of Chicago
Portfolio Cover for A Gustave Flaubert (Tentation de Saint-Antoine)
Portfolio Cover for A Gustave Flaubert (Tentation de Saint-Antoine)
Odilon Redon
Bi-fold portfolio cover with lithographed text, in black on green wove paper · 1888
Art Institute of Chicago
Death: "My Irony Surpasses All Others"
Death: "My Irony Surpasses All Others"
Odilon Redon
Transfer lithograph in black ink on thin ivory wove paper, laid down on heavyweight ivory wove plate paper (chine collé) · 1888
Art Institute of Chicago
It is a Skull Wreathed in Roses...
It is a Skull Wreathed in Roses...
Odilon Redon
Transfer lithograph on mounted ivory China paper · 1888
Art Institute of Chicago
The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series)
The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1888
Art Institute of Chicago
Everywhere eyeballs are aflame, plate 9 from The Temptation of Saint Anthony (1st series)
Everywhere eyeballs are aflame, plate 9 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago
And All Manner of Frightful Creatures Arise, plate 8 of 10
And All Manner of Frightful Creatures Arise, plate 8 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago
And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10
And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago
It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series)
It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1888
Art Institute of Chicago
He Raises the Bronze Urn, plate 4 of 10
He Raises the Bronze Urn, plate 4 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago
Cover from The Temptation of Saint Anthony (1st series)
Cover from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on white wove paper · 1888
Art Institute of Chicago
First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series)
First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1888
Art Institute of Chicago
Little Prelate
Little Prelate
Odilon Redon
Drypoint on cream laid paper · 1888
Art Institute of Chicago
And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series)
And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé) · 1888
Art Institute of Chicago
Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10
Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé) · 1888
Art Institute of Chicago
Cover-Frontispiece for the Temptation of St. Anthony
Cover-Frontispiece for the Temptation of St. Anthony
Odilon Redon
Bi-fold portfolio cover with lithograph in black on blue-green wove paper · 1888
Art Institute of Chicago
Saint Anthony . . . Beneath Her Long Hair Which Covered Her Face, I Thought I Recognized Ammonaria (Sainte-Antoine . . . A travers ses longs cheveux qui lui couvrait la figure, j'ai cru reconnaître Ammonaria)
Saint Anthony . . . Beneath Her Long Hair Which Covered Her Face, I Thought I Recognized Ammonaria (Sainte-Antoine . . . A travers ses longs cheveux qui lui couvrait la figure, j'ai cru reconnaître Ammonaria)
Odilon Redon
Lithograph with chine appliqué · 1888
Museum of Modern Art
Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . .  ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . . ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
Odilon Redon
Portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
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