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Artworks

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10
Odilon Redon
Lithograph in black on ivory wove paper · 1888
Art Institute of Chicago

Portfolio Cover for A Gustave Flaubert (Tentation de Saint-Antoine)
Odilon Redon
Bi-fold portfolio cover with lithographed text, in black on green wove paper · 1888
Art Institute of Chicago

Death: "My Irony Surpasses All Others"
Odilon Redon
Transfer lithograph in black ink on thin ivory wove paper, laid down on heavyweight ivory wove plate paper (chine collé) · 1888
Art Institute of Chicago

It is a Skull Wreathed in Roses...
Odilon Redon
Transfer lithograph on mounted ivory China paper · 1888
Art Institute of Chicago

The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1888
Art Institute of Chicago

Everywhere eyeballs are aflame, plate 9 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago

And All Manner of Frightful Creatures Arise, plate 8 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago

It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1888
Art Institute of Chicago

He Raises the Bronze Urn, plate 4 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1888
Art Institute of Chicago

Cover from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on white wove paper · 1888
Art Institute of Chicago

First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1888
Art Institute of Chicago

Little Prelate
Odilon Redon
Drypoint on cream laid paper · 1888
Art Institute of Chicago

And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé) · 1888
Art Institute of Chicago

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10
Odilon Redon
Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collé) · 1888
Art Institute of Chicago

Cover-Frontispiece for the Temptation of St. Anthony
Odilon Redon
Bi-fold portfolio cover with lithograph in black on blue-green wove paper · 1888
Art Institute of Chicago

Saint Anthony . . . Beneath Her Long Hair Which Covered Her Face, I Thought I Recognized Ammonaria (Sainte-Antoine . . . A travers ses longs cheveux qui lui couvrait la figure, j'ai cru reconnaître Ammonaria)
Odilon Redon
Lithograph with chine appliqué · 1888
Museum of Modern Art

Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . . ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
Odilon Redon
Portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art