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Artworks

825 records by Odilon Redon
. . . And in the Very Disk of the Sun Shines the Face of Jesus Christ (. . . Et dans le disque même du soleil rayonne la face de Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . And in the Very Disk of the Sun Shines the Face of Jesus Christ (. . . Et dans le disque même du soleil rayonne la face de Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
....First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White Rearing Horses (....D'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se cabrent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
....First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White Rearing Horses (....D'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se cabrent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Little Prelate (Petit prélat)
Little Prelate (Petit prélat)
Odilon Redon
Drypoint · 1888
Museum of Modern Art
Christ
Christ
Odilon Redon
lithograph · 1887
National Gallery of Art
Christ
Christ
Odilon Redon
lithograph · 1887
National Gallery of Art
Spider
Spider
Odilon Redon
Lithograph in black on cream China paper laid down on ivory wove paper · 1887
Art Institute of Chicago
Beatrice
Beatrice
Odilon Redon
Charcoal with stumping and erasing on cream wove paper, discolored to tan · 1887
Art Institute of Chicago
Spider
Spider
Odilon Redon
Lithograph in black on light gray China paper laid down on white wove paper · 1887
Art Institute of Chicago
A Bell in the Tower Was Ringing the Hour, plate 4 from Edmond Picard's Le Jure
A Bell in the Tower Was Ringing the Hour, plate 4 from Edmond Picard's Le Jure
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1887
Art Institute of Chicago
Through an Opening in the Wall, a Skull Appeared, plate 1 from Edmond Picard's Le Jure
Through an Opening in the Wall, a Skull Appeared, plate 1 from Edmond Picard's Le Jure
Odilon Redon
Lithograph in black on cream Japanese paper · 1887
Art Institute of Chicago
Dramatic and Grandiose with Her Face like that of a Druid Priestess
Dramatic and Grandiose with Her Face like that of a Druid Priestess
Odilon Redon
Lithograph in black on ivory China paper, laid down on white wove paper · 1887
Art Institute of Chicago
The Dream has Ended in Death, from The Juror
The Dream has Ended in Death, from The Juror
Odilon Redon
Lithograph in black on ivory China paper collé, laid down on white wove paper · 1887
Art Institute of Chicago
Through the Crack in the Wall, a Death's Head Was Projected, from The Juror
Through the Crack in the Wall, a Death's Head Was Projected, from The Juror
Odilon Redon
Lithograph in black on ivory China paper collé, laid down on white wove paper · 1887
Art Institute of Chicago
A Bell was Sounding in the Tower, from The Juror
A Bell was Sounding in the Tower, from The Juror
Odilon Redon
Lithograph in black on ivory China paper collé, laid down on white wove paper · 1887
Art Institute of Chicago
Why Should There Not Exist an Invisible World...?, plate 6 from Edmond Picard's Le Jure
Why Should There Not Exist an Invisible World...?, plate 6 from Edmond Picard's Le Jure
Odilon Redon
Lithograph in black on thin cream Japanese paper · 1887
Art Institute of Chicago
Is There Not an Invisible World, from The Juror
Is There Not an Invisible World, from The Juror
Odilon Redon
Lithograph in black on cream China paper, laid down on white wove paper · 1887
Art Institute of Chicago
The Idol, frontispiece from Emile Verhaeren's Les Soirs
The Idol, frontispiece from Emile Verhaeren's Les Soirs
Odilon Redon
Lithograph on paper · 1887
Art Institute of Chicago
In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7
In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7
Odilon Redon
Lithograph in black on cream Japanese paper · 1887
Art Institute of Chicago
In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7
In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1887
Art Institute of Chicago
A Man of the People, a Savage, from The Juror
A Man of the People, a Savage, from The Juror
Odilon Redon
Lithograph on cream chine collé, laid down on white wove paper · 1887
Art Institute of Chicago
Girl
Girl
Odilon Redon
Lithograph in black on white wove paper · 1887
Art Institute of Chicago
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