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Artworks
Spider
Odilon Redon
Lithograph on ivory China paper laid down on ivory wove paper · 1887
Art Institute of Chicago
Christ
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1887
Art Institute of Chicago
Cover for "Le Juré"
Odilon Redon
Bi-fold portfolio cover with text lithographed in black on gray wove paper · 1887
Art Institute of Chicago
Girl
Odilon Redon
Lithograph in black on heavy white wove paper · 1887
Art Institute of Chicago
Dark Peak
Odilon Redon
Lithograph in black on ivory Japanese paper · 1887
Art Institute of Chicago
A Man of the People, a Savage (Un Homme du peuple, un sauvage)
Odilon Redon
Lithograph with chine appliqué · 1887
Museum of Modern Art
The Dream Is Realized by Death (Le rêve s'achève par la mort)
Odilon Redon
Lithograph with chine appliqué · 1887
Museum of Modern Art
Spider (Araignée)
Odilon Redon
Lithograph with chine appliqué · 1887
Museum of Modern Art
Is There Not an Invisible World? (N'y a-t-il pas un monde invisible?)
Odilon Redon
Lithograph with chine appliqué · 1887
Museum of Modern Art
The Idol (L'Idole)
Odilon Redon
Lithograph with chine appliqué · 1887
Museum of Modern Art
The Heart Has Its Reasons
Odilon Redon
Lithographic tusche and lithographic crayon on transfer paper · 1887
Museum of Modern Art
On the Backdrop of Our Nights
Odilon Redon
Lithographic crayon on transfer paper · 1887
Museum of Modern Art
The Deep Bell of Sainte-Gudule Was Sounding the Hour in the Nearby Belfry (La Cloche grave de Sainte-Gudule battait l'heure dans la tour voisine) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art
The Wall of His Room Was Opening Up and through the Crack a Death's-Head Was Projected (La Muraille de sa chambre s'entr'ouvrait et de la fente était projetée une tête de mort) (frontispiece) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art
Why Should There Not Exist a World Composed of Invisible, Odd, Fantastic, Embryonic Beings? (Pourquoi n'existerait-il pas un monde composé d'êtres invisibles, bizarres, fantastiques, embryonnaires?) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art
Le Juré
Odilon Redon
Illustrated book with seven lithographs · 1887
Museum of Modern Art
She Shows Herself to Him, Dramatic and Grandiose, with Her Hair Like That of a Druidess (Elle se montre à lui, dramatique et grandiose avec sa chevelure de prêtresse druidique) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art
At the Entrance to the Promenades, Where the Trees Intertwine in a Bony Maze of Branches, Smooth and Gaunt, the Specter Is Outlined (A l'entrée des allées, où les arbres entrelacent le dédale ostéologique des branches, glabre et décharné, se dessine le spectre) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art
A Man of the People, a Savage, Passed beneath the Head of the Horses (Un Homme du peuple, un sauvage, a passé sous la tête des chevaux) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art
Le Noyé
Odilon Redon
chalk, charcoal stick, paper · 1887
Rijksmuseum
Cain and Abel
Odilon Redon
etching on wove paper · 1886
National Gallery of Art
Profil de lumiere (Profile of light)
Odilon Redon
lithograph · 1886
National Gallery of Art
A La Vieillesse (To Old Age)
Odilon Redon
lithograph · 1886
National Gallery of Art
Menu of a Dinner for French Lithographers, April 1, 1887
Odilon Redon
Lithograph in black on ivory Japanese paper, mounted on tan wove paper · 1886
Art Institute of Chicago