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Artworks

La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves
Odilon Redon
lithograph · 1883
National Gallery of Art

Le Satyre au cynique sourire (The Satyr with the cynical smile)
Odilon Redon
lithograph · 1883
National Gallery of Art

Quand s'eveillait la Vie au Fon de la matiere obscure (When life was awakening in the depths of obscure matter)
Odilon Redon
lithograph · 1883
National Gallery of Art

Il y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower)
Odilon Redon
lithograph · 1883
National Gallery of Art

Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (The deformed polyp floated on the shores, a sort of smiling and hideous Cyclops)
Odilon Redon
lithograph on chine appliqué on wove paper · 1883
National Gallery of Art

The Sphinx
Odilon Redon
Various charcoals, with touches of black chalk, stumping, wiping, and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone · 1883
Art Institute of Chicago

The Beacon
Odilon Redon
Pastel, with various charcoals and touches of black chalk, stumping and erasing, on pale-pink wove paper with red fibers altered to a golden tone, laid down on cardboard · 1883
Art Institute of Chicago

The Satyr with the Cynical Smile, plate 5 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago

Centaur Aiming at the Clouds
Odilon Redon
Lithograph in black on light gray China paper laid down on ivory wove paper · 1883
Art Institute of Chicago

The Little Abbot Reading the Ramayana
Odilon Redon
Charcoal with black chalk, stumping, scraping and erasing, on dark cream wove paper, discolored to tan. Ruled in pale red-orange pastel. Offset impression of Tadpole, verso. · 1883
Art Institute of Chicago

And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago

The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago

There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray chine laid down on white wove paper · 1883
Art Institute of Chicago

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper collé, laid down on white wove paper · 1883
Art Institute of Chicago

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on ivory China paper, laid down on white wove paper · 1883
Art Institute of Chicago

Cover-Frontispiece for Les Origines
Odilon Redon
Lithograph in black on dark gray wove paper · 1883
Art Institute of Chicago

Rocks on the Beach
Odilon Redon
Oil on paper mounted on canvas · 1883
Museum of Modern Art

Trees in the Blue Sky
Odilon Redon
Oil over traces of graphite on light-brown wove paper mounted on board · 1883
Museum of Modern Art

And Man Appeared, Questioning the Earth from Which He Came and Which Draws Him Back, as He Cleared a Way Forward to the Murky Light (Et l'homme parut, interrogeant le sol d'où il sort et qui l'attire, il se fraya la voie vers de sombres clartés)
Odilon Redon
Lithograph with chine appliqué · 1883
Museum of Modern Art

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops (Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux)
Odilon Redon
Lithograph with chine appliqué · 1883
Museum of Modern Art

The Teeth (Les Dents)
Odilon Redon
Charcoal and chalk on paper · 1883
Museum of Modern Art

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe
Odilon Redon
Lithograph in black on ivory China paper, laid down on white wove paper · 1882
Art Institute of Chicago