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Artworks

825 records by Odilon Redon
La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves
La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves
Odilon Redon
lithograph · 1883
National Gallery of Art
Le Satyre au cynique sourire (The Satyr with the cynical smile)
Le Satyre au cynique sourire (The Satyr with the cynical smile)
Odilon Redon
lithograph · 1883
National Gallery of Art
Quand s'eveillait la Vie au Fon de la  matiere obscure (When life was awakening in the depths of obscure matter)
Quand s'eveillait la Vie au Fon de la matiere obscure (When life was awakening in the depths of obscure matter)
Odilon Redon
lithograph · 1883
National Gallery of Art
Il y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower)
Il y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower)
Odilon Redon
lithograph · 1883
National Gallery of Art
Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (The deformed polyp floated on the shores, a sort of smiling and hideous Cyclops)
Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (The deformed polyp floated on the shores, a sort of smiling and hideous Cyclops)
Odilon Redon
lithograph on chine appliqué on wove paper · 1883
National Gallery of Art
The Sphinx
The Sphinx
Odilon Redon
Various charcoals, with touches of black chalk, stumping, wiping, and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone · 1883
Art Institute of Chicago
The Beacon
The Beacon
Odilon Redon
Pastel, with various charcoals and touches of black chalk, stumping and erasing, on pale-pink wove paper with red fibers altered to a golden tone, laid down on cardboard · 1883
Art Institute of Chicago
The Satyr with the Cynical Smile, plate 5 of 8 from "Les Origines"
The Satyr with the Cynical Smile, plate 5 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
Centaur Aiming at the Clouds
Centaur Aiming at the Clouds
Odilon Redon
Lithograph in black on light gray China paper laid down on ivory wove paper · 1883
Art Institute of Chicago
The Little Abbot Reading the Ramayana
The Little Abbot Reading the Ramayana
Odilon Redon
Charcoal with black chalk, stumping, scraping and erasing, on dark cream wove paper, discolored to tan. Ruled in pale red-orange pastel. Offset impression of Tadpole, verso. · 1883
Art Institute of Chicago
And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"
And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines"
The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines"
There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines"
There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray chine laid down on white wove paper · 1883
Art Institute of Chicago
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from "Les Origines"
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines"
Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper collé, laid down on white wove paper · 1883
Art Institute of Chicago
When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"
When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on ivory China paper, laid down on white wove paper · 1883
Art Institute of Chicago
Cover-Frontispiece for Les Origines
Cover-Frontispiece for Les Origines
Odilon Redon
Lithograph in black on dark gray wove paper · 1883
Art Institute of Chicago
Rocks on the Beach
Rocks on the Beach
Odilon Redon
Oil on paper mounted on canvas · 1883
Museum of Modern Art
Trees in the Blue Sky
Trees in the Blue Sky
Odilon Redon
Oil over traces of graphite on light-brown wove paper mounted on board · 1883
Museum of Modern Art
And Man Appeared, Questioning the Earth from Which He Came and Which Draws Him Back, as He Cleared a Way Forward to the Murky Light (Et l'homme parut, interrogeant le sol d'où il sort et qui l'attire, il se fraya la voie vers de sombres clartés)
And Man Appeared, Questioning the Earth from Which He Came and Which Draws Him Back, as He Cleared a Way Forward to the Murky Light (Et l'homme parut, interrogeant le sol d'où il sort et qui l'attire, il se fraya la voie vers de sombres clartés)
Odilon Redon
Lithograph with chine appliqué · 1883
Museum of Modern Art
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops (Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux)
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops (Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux)
Odilon Redon
Lithograph with chine appliqué · 1883
Museum of Modern Art
The Teeth (Les Dents)
The Teeth (Les Dents)
Odilon Redon
Charcoal and chalk on paper · 1883
Museum of Modern Art
The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe
The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe
Odilon Redon
Lithograph in black on ivory China paper, laid down on white wove paper · 1882
Art Institute of Chicago
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