Database / Artworks
Artworks
Child's Head With Flowers
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1897
Art Institute of Chicago
Béatrice
Odilon Redon
Lithograph in yellow, green, and blue on cream China paper laid down on ivory wove paper · 1897
Art Institute of Chicago
The Shulamite
Odilon Redon
Lithograph printed in black and yellow on buff Japanese paper · 1897
Art Institute of Chicago
Béatrice
Odilon Redon
Lithograph on chine appliqué · 1897
Museum of Modern Art
Child's Head with Flowers (Tête d'enfant avec fleurs)
Odilon Redon
Lithograph · 1897
Museum of Modern Art
The Devil (Le Diable)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Apollonius
Odilon Redon
brush and black ink on buff wove paper · 1896
National Gallery of Art
The Shadow (L'Ombre)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
The Queen of Sheba (La Reine de Saba)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Young Man (Jeune Homme)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
The Dog
Odilon Redon
lithograph in brown and black · 1896
National Gallery of Art
La Vieille: Que Crains-tu? Un large trou Noir! Il est vide peut-etre? (What are you afraid of? A wide black hole! It is empty, perhaps!)
Odilon Redon
lithograph · 1896
National Gallery of Art
Elle tire de sa poitrine une eponge toute noire, la couvre de baisers (She draws from her bosom a sponge, perfectly black, and covers it with kisses)
Odilon Redon
lithograph · 1896
National Gallery of Art
Vieux Chevalier (Old Knight)
Odilon Redon
lithograph on chine collé · 1896
National Gallery of Art
Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine
Odilon Redon
Lithograph in black on pinkish-cream China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24
Odilon Redon
Lithograph in black on light gray China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Immediately Three Goddesses Arise, plate 11 of 24
Odilon Redon
Lithograph in black on cream China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24
Odilon Redon
Lithograph in black on light gray China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24
Odilon Redon
Lithograph in black on off-white China paper laid down on cream wove paper · 1896
Art Institute of Chicago
Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24
Odilon Redon
Lithograph in black on cream China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Different Peoples Inhabit the Countries of the Ocean, plate 23 of 24
Odilon Redon
Lithograph in black with retouching in India ink on ivory China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
I Have Sometimes Seen in the Sky What Seemed to Be Like Forms of Spirits, plate 21 of 24
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24
Odilon Redon
Lithograph in black on light gray China paper laid down on ivory wove paper · 1896
Art Institute of Chicago