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Artworks

98,525 records by Virginia Overton · Art Institute Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
Baigneurs Sans Rien
Baigneurs Sans Rien
Paul Chan
Nylon, fans, fabric floor piece · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Green Hills of Earth (3)
Green Hills of Earth (3)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
UNO – Metrò, La Uno Series, Lamp Stand
UNO – Metrò, La Uno Series, Lamp Stand
PIOVENEFABI
Metal · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Untitled
Untitled
Mathias Poledna
Steel and paint · 2017
Art Institute of Chicago
You might be my glass world and I might be your crystal universe
You might be my glass world and I might be your crystal universe
Evelyn Taocheng Wang
Watercolor on cream, laid Chinese paper · 2017
Art Institute of Chicago
ABBIATEGRASSO – Metrò, La Due Series, Free-standing Screen
ABBIATEGRASSO – Metrò, La Due Series, Free-standing Screen
PIOVENEFABI
Metal · 2017
Art Institute of Chicago
The Nuno Box: Textiles of Reiko Sudo
The Nuno Box: Textiles of Reiko Sudo
Reiko Sudo
Various · 2017
Art Institute of Chicago
oldblueshanging, while she waits
oldblueshanging, while she waits
Suzanne Jackson
Acrylic, mixed papers, wood · 2017
Art Institute of Chicago
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
Ben Patterson
24-channel sound field (24 camouflaged loudspeakers) · 2017
Art Institute of Chicago
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and gold plate · 2017
Art Institute of Chicago
Size Matters! (De)Growth of the 21st Century Art Museum
Size Matters! (De)Growth of the 21st Century Art Museum
Irma Boom
Book · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bless N°26 Cable Jewelry
Bless N°26 Cable Jewelry
BLESS eine GmbH
Natural wood and electronic cable · 2017
Art Institute of Chicago
Dunham
Dunham
Simone Leigh
Terracotta, porcelain, raffia, steel, glass bead, epoxy, and India ink · 2017
Art Institute of Chicago
The Equal and Inalienable Rights of All
The Equal and Inalienable Rights of All
Ann Hamilton
Blind embossing with reddish-brown pigment on white wove paper · 2017
Art Institute of Chicago
Study (Uhuru Park III)
Study (Uhuru Park III)
Michael Armitage
Ink on paper · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Lake Chivero, August 31, 1972
Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
acrobat with Ursa Minor by first light of day
acrobat with Ursa Minor by first light of day
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
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