Database / Artworks
Artworks

Ewer
Silver gilt · 1671
Art Institute of Chicago

The Music Lesson
Oil on canvas · 1671
Art Institute of Chicago

Triumph of Amphitrite
Pen and black ink and black chalk, with brush and gray wash, on grayish brown laid paper, laid down on cream wove paper · 1671
Art Institute of Chicago

Combat Between Horseman and Footsoldier
Brush and white gouache and brown wash over red chalk and traces of graphite on brown tinted laid paper, laid down on card · 1671
Art Institute of Chicago

Draped Woman Holding Urn
Red chalk, over traces of black chalk, on tan laid paper · 1671
Art Institute of Chicago

Presentation of the Virgin
Black crayon and brush and gray wash, with black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago

Assumption of the Virgin
Pen and brown ink on tan laid paper, laid down on ivory laid card · 1671
Art Institute of Chicago

Triumph of Amphitrite
Pen and black ink and black chalk, with brush and gray wash, on grayish brown laid paper, laid down on cream wove paper · 1671
Art Institute of Chicago

Moses and the Brazen Serpent
Black crayon and brush and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on tan wove card · 1671
Art Institute of Chicago

The Music Lesson
oil paint · 1671
Art Institute of Chicago

Cobbler
Etching in black on cream laid paper · 1671
Art Institute of Chicago

The Music Lesson
Oil on canvas · 1671
Art Institute of Chicago

Meeting of Two Kings
Black chalk, brush and gray wash, on tan laid paper, pieced together and laid down on blue laid paper · 1671
Art Institute of Chicago

Meeting of Two Kings
Black chalk, brush and gray wash, on tan laid paper, pieced together and laid down on blue laid paper · 1671
Art Institute of Chicago

Draped Woman Holding Urn
Red chalk, over traces of black chalk, on tan laid paper · 1671
Art Institute of Chicago

Apollo and His Horses
Black chalk heightened with white chalk, on light brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago

Christ and the Woman of Samaria
Black chalk and brush and brown wash, on ivory laid paper, laid down on buff wove paper · 1670
Art Institute of Chicago

Moses Striking the Rock
Pen and black ink, black crayon, brush and black ink, and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on cream laid card · 1670
Art Institute of Chicago

The Lamb
Etching in black on ivory wove paper · 1670
Art Institute of Chicago

Flintlock Magazine Pistol (Lorenzoni System)
Walnut, steel, and brass · 1670
Art Institute of Chicago

The Abduction of the Sabine Women
Oil on canvas · 1670
Art Institute of Chicago

Abundantia from The Four Continents and Related Allegories
Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft: Count: varies from 28 to 44 wefts per cm; wool: single S-spun elements; S-ply of two Z-spun elements; diameters: 0.2–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.6–0.8 mm · 1670
Art Institute of Chicago

Presentation in the Temple
Etching on ivory laid paper · 1670
Art Institute of Chicago

Portrait of Louis XIV in armor
Watercolor on ivory · 1670
Art Institute of Chicago