Database / Artworks

Artworks

78,697 records by Paul A. McDonough · Art Institute Chicago
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Julia Fish
Opaque watercolors, over touches of graphite, on white wove paper · 2017
Art Institute of Chicago
A Horrible Daily Mail News with Summer Dress
A Horrible Daily Mail News with Summer Dress
Evelyn Taocheng Wang
Ink and watercolor on paper; agnès b. dress · 2017
Art Institute of Chicago
Matthijs Maris at Work
Matthijs Maris at Work
Irma Boom
Book · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
Virginia Woolf on Riverside
Virginia Woolf on Riverside
Evelyn Taocheng Wang
Ink on rice paper mounted on rice paper; Agnès B white and black pattern dress · 2017
Art Institute of Chicago
woman reclining with candlestick by lamplight
woman reclining with candlestick by lamplight
Andrew Lord
ceramic, steel rod, gold leaf and epoxy · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 1 Plate
Bao Shi Shan Luo Ying 宝石山 落英 1 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Blush Lamp
Blush Lamp
Formafantasma
LED, dichroic glass and aluminum · 2017
Art Institute of Chicago
No More No Less (Chicago) Model
No More No Less (Chicago) Model
Pezo von Ellrichshausen
MDF, paint, paper and wood · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
The Equal and Inalienable Rights of All
The Equal and Inalienable Rights of All
Ann Hamilton
Blind embossing with reddish-brown pigment on white wove paper · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
Green Hills of Earth (3)
Green Hills of Earth (3)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Green Hills of Earth (2)
Green Hills of Earth (2)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Green Hills of Earth (1)
Green Hills of Earth (1)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Strates IV
Strates IV
Simone Pheulpin
Cotton, plain weave; straight pins · 2017
Art Institute of Chicago
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
PIOVENEFABI
Stained concrete ®Silipol · 2017
Art Institute of Chicago
Baigneurs Sans Rien
Baigneurs Sans Rien
Paul Chan
Nylon, fans, fabric floor piece · 2017
Art Institute of Chicago
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
Mounira Al Solh
Hand and machine stitched embroidery · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Lake Chivero, August 31, 1972
Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
Wiwa Stories (Historias Wiwa)
Wiwa Stories (Historias Wiwa)
Beatriz González
Color screenprint on white wove paper · 2017
Art Institute of Chicago
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