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Artworks

98,525 records by Ernest Mancoba · Art Institute Chicago
Poet Crowned with Laurel
Poet Crowned with Laurel
Red chalk with stumping on cream laid paper · 1700
Art Institute of Chicago
Bishop Kneeling in Prayer
Bishop Kneeling in Prayer
Pen and brown ink, and brush and brown wash, heightened with lead white (discolored), over graphite on cream laid card, laid down on ivory wove card · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Triumphs of Julius Caesar: Canvas No. VII
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Man and Woman Crowned with Laurel
Man and Woman Crowned with Laurel
Red chalk on cream laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Cup and Saucer
Cup and Saucer
Porcelain, polychrome enamels, and gilding · 1700
Art Institute of Chicago
Putto Holding Flowers
Putto Holding Flowers
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper · 1700
Art Institute of Chicago
Expulsion of Hagar
Expulsion of Hagar
Brush and black wash, over black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Anthony van Dyck
Anthony van Dyck
Pen and black ink, with brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Moses Drawing Water from the Rock
Moses Drawing Water from the Rock
Brush and gray wash, with touches of green and black chalk, on ivory laid paper, squared in black chalk · 1700
Art Institute of Chicago
Portrait of A. Orr
Portrait of A. Orr
1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Triumphs of Julius Caesar: Canvas No. VII
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Playing Putti
Playing Putti
Pen and brown inkm over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Muse
Muse
Red chalk with stumping, and touches of red chalk wash, on cream laid paper · 1700
Art Institute of Chicago
Peasants and Cattle Crossing Ford
Peasants and Cattle Crossing Ford
Red chalk on cream laid paper, laid down on card · 1700
Art Institute of Chicago
Muse Seen from the Back
Muse Seen from the Back
Red chalk with stumping and red chalk wash on cream laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VI
Triumphs of Julius Caesar: Canvas No. VI
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. V
Triumphs of Julius Caesar: Canvas No. V
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Head of Boy Wearing Hat in Profile
Head of Boy Wearing Hat in Profile
Black chalk on blue laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IX
Triumphs of Julius Caesar: Canvas No. IX
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Mother and Three Children
Mother and Three Children
Brush and gray ink, with wash and traces of black chalk, on ivory laid paper, laid down on ivory laid card · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IV
Triumphs of Julius Caesar: Canvas No. IV
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Plaque: Psalm No. 150
Plaque: Psalm No. 150
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Triumphs of Julius Caesar: Canvas No. II
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
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