Database / Artworks
Artworks
Forest and Sun
Max Ernst
Graphite frottage on paper · 1931
Museum of Modern Art
Butterflies (Papillons)
Max Ernst
Cut-and-pasted printed and painted paper, cellophane, and pencil on paper · 1931
Museum of Modern Art
Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste)
Max Ernst
Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper · 1931
Museum of Modern Art
Plate (folio 13) from 23 Gravures
Max Ernst
Etching, aquatint, and drypoint from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1930
Museum of Modern Art
Marceline and Marie
Max Ernst
Collage composed of printed, cut elements, with touches of watercolor, laid down on cream wove paper · 1929
Art Institute of Chicago
The Chorus of the Shipwrecked: And the Day Doesn't Exist at All
Max Ernst
Collage composed of cut engraved elements on tan wove paper, laid down on cream wove card · 1929
Art Institute of Chicago
Collage with text (Pie XI: La calvitie vous guette...)
Max Ernst
Collage composed of cut engraved elements on tan wove paper · 1929
Art Institute of Chicago
Birds above the Forest (Oiseaux au-dessus de la forêt)
Max Ernst
Oil on canvas · 1929
Museum of Modern Art
The Sea (Marine)
Max Ernst
Oil on plaster on burlap · 1928
Museum of Modern Art
![To the Rendezvous of Friends (The Friends Become Flowers, Snakes, and Frogs) (Au rendez-vous des amis [Les amis se transforment en fleurs, en serpents, et en grenouilles])](/api/images/artworks/moma/b1ad6aa6-940a-4642-bdc7-70adb95c8807.jpg)
To the Rendezvous of Friends (The Friends Become Flowers, Snakes, and Frogs) (Au rendez-vous des amis [Les amis se transforment en fleurs, en serpents, et en grenouilles])
Max Ernst
Oil on canvas · 1928
Museum of Modern Art
Forest and Dove
Max Ernst
Oil paint on canvas · 1927
Tate
Forest and Sun
Max Ernst
Oil on canvas · 1927
Art Institute of Chicago
The Blue Forest
Max Ernst
Oil on canvas · 1925
Art Institute of Chicago
The Beautiful Season
Max Ernst
Graphite and graphite frottage, with smudging and erasing, on cream wove paper · 1925
Art Institute of Chicago
Human Figure with Two Birds
Max Ernst
Oil on emery paper, mounted on scrap-wood panel covered with industrial-grade black paper · 1925
Art Institute of Chicago
Fruits
Max Ernst
Black colored pencil or crayon frottage on cream wove paper · 1925
Art Institute of Chicago
The Fugitive (L'Évadé) from Natural History (Histoire Naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
The Chestnut Trees Take-Off (Le Start du châtaignier) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
Earthquake (Le Tremblement de terre) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
The Pampas (Les Pampas) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
He Will Fall Far from Here (Il tombera loin d'ici) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
Little Tables around the Earth (Petites tables autour de la terre) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
A Glance (Un coup d'oeil) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art
Stallion and Bride of the Wind (L'Étalon et la fiancée du vent) from Natural History (Histoire naturelle)
Max Ernst
One from a portfolio of 34 collotypes after frottage · 1925
Museum of Modern Art