Database / Artworks
Artworks
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)
Pirro Ligorio
Red chalk on beige paper (recto); pen and brown ink (verso) · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
Atalanta and Hippomemes, from "Four Mythological Scenes"
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Four Doctors of the Church
Domenico Beccafumi
Chiaroscuro woodcut in two blocks in light green · 1535
The Metropolitan Museum of Art
Saltcellar (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
Speculum Romanae Magnificentiae
Antonio Lafreri
1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."
Albrecht Dürer
Illustrated book · 1535
The Metropolitan Museum of Art
Design for a Term with the Head of Woman, Strapwork and Trophies
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Saint Roch
Battista Angolo del Moro
Etching · 1535
The Metropolitan Museum of Art
Skull in Profile
Battista Franco Veneziano
Pen and brown ink · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Saltcellar with scene of infant harvesters (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Temperance
Peter Flötner
bronze · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Two men and a woman playing cards at a table, one man pressing his nose toward the woman's forehead, from a series of ten scenes of musicians and couples dancing, drinking, playing music, and playing cards
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art