Database / Artworks

Artworks

78,697 records by Toshiko Okanoue (岡上 淑子) · Art Institute Chicago
Bao Shi Shan Luo Ying 宝石山 落英 1 Plate
Bao Shi Shan Luo Ying 宝石山 落英 1 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Workshop (Werkstatt)
Workshop (Werkstatt)
Thomas Demand
Chromogenic print · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
PIOVENEFABI
Stained concrete ®Silipol · 2017
Art Institute of Chicago
Lake Chivero, August 31, 1972
Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
UNO – Metrò, La Uno Series, Lamp Stand
UNO – Metrò, La Uno Series, Lamp Stand
PIOVENEFABI
Metal · 2017
Art Institute of Chicago
Strates IV
Strates IV
Simone Pheulpin
Cotton, plain weave; straight pins · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Study (Uhuru Park III)
Study (Uhuru Park III)
Michael Armitage
Ink on paper · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
acrobat with Ursa Minor by first light of day
acrobat with Ursa Minor by first light of day
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Blush Lamp
Blush Lamp
Formafantasma
LED, dichroic glass and aluminum · 2017
Art Institute of Chicago
Matthijs Maris at Work
Matthijs Maris at Work
Irma Boom
Book · 2017
Art Institute of Chicago
Manifold Defter [memo book]
Manifold Defter [memo book]
Esen Karol
Memo book · 2017
Art Institute of Chicago
Baigneurs Sans Rien
Baigneurs Sans Rien
Paul Chan
Nylon, fans, fabric floor piece · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and gold plate · 2017
Art Institute of Chicago
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
Ben Patterson
24-channel sound field (24 camouflaged loudspeakers) · 2017
Art Institute of Chicago
Small Wonders
Small Wonders
Irma Boom
Book · 2017
Art Institute of Chicago
Save my baby first
Save my baby first
Evelyn Taocheng Wang
Ink and watercolor on rice paper; agnès b. dress · 2017
Art Institute of Chicago
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