Database / Artworks

Artworks

78,697 records by Chen Mingyuan · Art Institute Chicago
Hanging Drawing X
Hanging Drawing X
Jared Ginsburg
Bamboo, rubber, string, wire packed in wooden box (wood, felt, metal clasps, cloth, velcro) · 2019
Art Institute of Chicago
Waterfall
Waterfall
Hiroshi Senju
Two pairs of six-panel folding screens Acrylic and fluorescent pigments on Japanese mulberry paper · 2019
Art Institute of Chicago
Bringing in the Ghosts
Bringing in the Ghosts
Jim Hodges
Seventy-nine color lithograph, screen and pigment print, with hand cutting, collage and metallic foils on white wove paper · 2019
Art Institute of Chicago
Gerco de Ruyter, Grid Corrections
Gerco de Ruyter, Grid Corrections
Irma Boom
Book · 2019
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
All Directions At Once
All Directions At Once
Luiza Prado de Oliveira Martins
Installation; single-channel video, color, silent, 10 minutes 55 seconds; wallpaper · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
B for Bone
B for Bone
Kemang Wa Lehulere
Reconfigured wood from salvaged school desks, porcelain dog, glass bottles with cork tops, sand, paper, ribbon, bone and resin hand · 2018
Art Institute of Chicago
Smooth Growth House
Smooth Growth House
Marshall Brown
Wood and plastic model on adjustable steel custom base, with padlock and casters · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
Figures 1876, Planisphere Elementaire
Figures 1876, Planisphere Elementaire
Malala Andrialavidrazana
Inkjet print · 2018
Art Institute of Chicago
The end of Tweety, 2018, from the series Signs of Life
The end of Tweety, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago
Night Classes at the Department of Painting Drawing and Sculpture
Night Classes at the Department of Painting Drawing and Sculpture
Lisa Yuskavage
Oil on linen · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
I, You And Everyone Else We Knew, No (mirror/guillotine)
I, You And Everyone Else We Knew, No (mirror/guillotine)
SoiL Thornton
27 foil emergency blankets, sheet of industrial Aluminum foil, staples, multi clamp garment hanger, stainless bag clip, and toy · 2018
Art Institute of Chicago
Untitled
Untitled
Wade Guyton
Epson UltraChrome HDX inkjet on linen · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
Seabirds, Cape Point, 2018, from the series Signs of Life
Seabirds, Cape Point, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago
Ambiguous Standards of Food: Eggs and Holders
Ambiguous Standards of Food: Eggs and Holders
Ambiguous Standards Institute
Beech wood, stryofoam, metalspun eggholders, and various eggs · 2018
Art Institute of Chicago
A Mortal Man
A Mortal Man
Wardell Milan
Inkjet print, applied charcoal, graphite, gesso, etching ink, and cut-and-pasted paper · 2018
Art Institute of Chicago
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