Database / Artworks

Artworks

78,697 records by Kyohei · Art Institute Chicago
oldblueshanging, while she waits
oldblueshanging, while she waits
Suzanne Jackson
Acrylic, mixed papers, wood · 2017
Art Institute of Chicago
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and gold plate · 2017
Art Institute of Chicago
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
Ben Patterson
24-channel sound field (24 camouflaged loudspeakers) · 2017
Art Institute of Chicago
Save my baby first
Save my baby first
Evelyn Taocheng Wang
Ink and watercolor on rice paper; agnès b. dress · 2017
Art Institute of Chicago
man standing juggling three balls by first light of day
man standing juggling three balls by first light of day
Andrew Lord
ceramic, steel, epoxy, and gold leaf · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
acrobat juggling six balls by moonlight
acrobat juggling six balls by moonlight
Andrew Lord
ceramic, steel rod, and epoxy · 2017
Art Institute of Chicago
Small Wonders
Small Wonders
Irma Boom
Book · 2017
Art Institute of Chicago
man standing juggling three balls by candlelight
man standing juggling three balls by candlelight
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Finally
Finally
Jim Hodges
Color screen, intaglio, and inkjet print on hand-cut and folded white wove paper, laid down on screenprint on gray wove paper, with a hand-cut, folded, and assembled holographic foil element · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
The Equal and Inalienable Rights of All
The Equal and Inalienable Rights of All
Ann Hamilton
Blind embossing with reddish-brown pigment on white wove paper · 2017
Art Institute of Chicago
Virginia Woolf on Riverside
Virginia Woolf on Riverside
Evelyn Taocheng Wang
Ink on rice paper mounted on rice paper; Agnès B white and black pattern dress · 2017
Art Institute of Chicago
Two Towers Model
Two Towers Model
PRODUCTORA
Styrene and paint · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
UNO – Metrò, La Uno Series, Lamp Stand
UNO – Metrò, La Uno Series, Lamp Stand
PIOVENEFABI
Metal · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
Baigneurs Sans Rien
Baigneurs Sans Rien
Paul Chan
Nylon, fans, fabric floor piece · 2017
Art Institute of Chicago
Wiwa Stories (Historias Wiwa)
Wiwa Stories (Historias Wiwa)
Beatriz González
Color screenprint on white wove paper · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
woman reclining with candlestick by lamplight
woman reclining with candlestick by lamplight
Andrew Lord
ceramic, steel rod, gold leaf and epoxy · 2017
Art Institute of Chicago
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