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Artworks

78,697 records by Giuseppe Chiari · Art Institute Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Workshop (Werkstatt)
Workshop (Werkstatt)
Thomas Demand
Chromogenic print · 2017
Art Institute of Chicago
Green Hills of Earth (2)
Green Hills of Earth (2)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Green Hills of Earth (3)
Green Hills of Earth (3)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Two Towers Model
Two Towers Model
PRODUCTORA
Styrene and paint · 2017
Art Institute of Chicago
Daily #32
Daily #32
Thomas Demand
Dye imbibition print · 2017
Art Institute of Chicago
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
Mounira Al Solh
Hand and machine stitched embroidery · 2017
Art Institute of Chicago
Psych Twombly (Kelvin)
Psych Twombly (Kelvin)
Shahryar Nashat
HD video on monitor with retrofitted cover, silent loop, unique from a series of 5; 4 min. 44 sec. · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Lake Chivero, August 31, 1972
Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Before long travel, August 23, 1972
Before long travel, August 23, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
Black Spot
Black Spot
Norm Sartorius
Black and white ebony · 2017
Art Institute of Chicago
No More No Less (Chicago) Model
No More No Less (Chicago) Model
Pezo von Ellrichshausen
MDF, paint, paper and wood · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Matthijs Maris
Matthijs Maris
Irma Boom
Book · 2017
Art Institute of Chicago
Forge Chair (Square Chair #2) 298
Forge Chair (Square Chair #2) 298
Max Lamb
AISI 1045 carbon steel · 2017
Art Institute of Chicago
Wiwa Stories (Historias Wiwa)
Wiwa Stories (Historias Wiwa)
Beatriz González
Color screenprint on white wove paper · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Matthijs Maris at Work
Matthijs Maris at Work
Irma Boom
Book · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
Untitled (Man)
Untitled (Man)
Kerry James Marshall
Woodcut in brown and black on white wove paper · 2017
Art Institute of Chicago
New Realities: Photography in the 19th Century
New Realities: Photography in the 19th Century
Irma Boom
Book · 2017
Art Institute of Chicago
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