Database / Artworks
Artworks

Wolf hunt
Etienne Delaune
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art

Studies for a Crucifixion
Alessandro Casolani
Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art

Pope Julius III (r. 1550–55)
Gian Federigo Bonzagna
Bronze · 1550
The Metropolitan Museum of Art

View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art

Portrait of a Man
Tintoretto
Oil on canvas · 1550
The Metropolitan Museum of Art

Wolf hunt
Etienne Delaune, French
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art

Dagger with Scabbard
Wolf Paller
Steel, silver, ray skin, leather, wood · 1550
The Metropolitan Museum of Art

The Wayfarer Crowned by Happiness from The Table of Cebes
David Kandel
Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art

Minerva
Benvenuto Cellini
Bronze · 1550
The Metropolitan Museum of Art

The Siege of Fiesole by the Goths
Friedrich Sustris
Black chalk, pen and brown ink, brush and brown wash; squared in black chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art

Saint Jerome Praying in a Landscape
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache · 1550
The Metropolitan Museum of Art

Henri II, King of France
Léonard Limosin
Enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art

Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
Pen and brown ink, brown wash, over traces of red and black chalk · 1550
The Metropolitan Museum of Art

Head of a Man
Hans Sebald Beham
Pen and iron gall ink (laid down) · 1549
The Metropolitan Museum of Art

Panel with Grotesque Candelabrum Containing a Mask, a Couple of Tritons and Two Children
Heinrich Aldegrever
Engraving · 1549
The Metropolitan Museum of Art

A Greyhound in Profile Facing Left
Virgil Solis
Pen and brown ink over graphite · 1549
The Metropolitan Museum of Art

Ornamental Design with a Mask and an Eagle between Two Fauns below
Heinrich Aldegrever
Engraving · 1549
The Metropolitan Museum of Art

Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
Antonio da Sangallo the Younger
Engraving · 1549
The Metropolitan Museum of Art

Armor of Emperor Ferdinand I
Kunz Lochner
leather · 1549
The Metropolitan Museum of Art

Dr. Christian Bruck, called Pontanus
Lucas Cranach the Younger
Woodcut · 1549
The Metropolitan Museum of Art

Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso)
Ambrogio Figino
Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, over red chalk (verso) · 1548
The Metropolitan Museum of Art

Various Figure Groups
Jacopo Palma
Pen and brown ink, brush and brown wash · 1548
The Metropolitan Museum of Art

The Equestrian Statue of Marcus Aurelius on the Capitol
Nicolas Beatrizet
Engraving; first state · 1548
The Metropolitan Museum of Art